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How Intercut Can Help Tell Your Story In Just 8 pictures

All About Intercut Whether you’re writing a screenplay or a novel, intercut can help you tell your story. An intercut is a storytelling technique used to rapidly switch back and forth between two different locations. This might be during a phone call, text message conversation, or parallel action. An intercut frequently plays around with the sense of time in your story, too. They may reference something that has happened in the past. However, intercuts can also reference to the future, to different versions of ‘now’ (whatever that means), or even thoughts and feelings. When Intercuts Go Wrong While intercuts are… Read More »How Intercut Can Help Tell Your Story In Just 8 pictures

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Top 5 Mistakes Writers Make With Short Films

Short Film Mistakes Writing short films is exceptionally difficult. In recent years, many film festivals have started to prioritise short films that are ten minutes or under. Telling a story in such a short timeframe is a big challenge. As a script editor, I’ve spent a lot of time in the world of short films. In the past 20+ years I have been … Involved with numerous produced films, including award winners & nominated ones A judge for Shore Scripts’ Short Film Fund A mentor on numerous screen agency short film schemes, including BFI New Voices Part of the steering… Read More »Top 5 Mistakes Writers Make With Short Films

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5 Reasons Your Spec TV Pilot Should Contain A Show-Stopping Central Character

The Problem With Spec TV Pilots One of the biggest issues I see in speculative (not commissioned) TV pilots is a lack of a show-stopping central character. But why is this an issue? Well, if we want our spec TV pilot to be read and/or commissioned by industry pros, a show-stopping central character is non-negotiable. It’s common sense our own TV pilots need to be storytelling catnip for that commissioner. One of the ways we can do this is by creating a show-stopping character. A character so interesting and compelling, big-name and talented actors will want to attach. All About Show-Stopping Central… Read More »5 Reasons Your Spec TV Pilot Should Contain A Show-Stopping Central Character

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How To Write An Interrogation Scene (And What Most Writers Get Wrong)

All About Interrogation Scenes Interrogation scenes can be exceptionally powerful in our stories. They can be tense, adding to cause and effect, escalating the story towards the showdown. They can also be the moment one character – on either side of the table! – can move from one state of being to another (whatever that means for the story). When writers hear the word “interrogation”, most of us immediately think of police procedurals. Detectives sitting under fluorescent lights trying to get a suspect to crack. Yet interrogation scenes crop up in virtually every genre and type of story imaginable! Such… Read More »How To Write An Interrogation Scene (And What Most Writers Get Wrong)

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How Your Story’s Opening Tells Audiences What To Expect (And Why It’s SO Important)

Your Story’s Promise To Your Target Viewers Or Readers Most spec screenplays don’t have a strong opener Instead, they open with generic scenes that could belong to literally any story. Yet *produced* movies and TV shows tell us exactly what we’re in for from the very first moments. All we have to do is really LOOK. 1) Opening With Your Genre Check out these stills I’ve taken of NowTV’s FROM, starring Harold Perrineau. From left to right, top to bottom: 1) The first image is of evergreen trees This shows we are in a rural area, near a forest. It’s… Read More »How Your Story’s Opening Tells Audiences What To Expect (And Why It’s SO Important)

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What Writers Can Learn From The Short Film That Launched a $1 Billion Franchise

Selling, Not Selling Out ‘Write me a low-budget screenplay that launches a $1 billion dollar franchise.’  A producer said this in a room full of writers I was in, back at the very beginning of my career. To say it landed with me BIG TIME is an understatement. It made me realise that story is not the only thing writers must contend with. As a collaborative medium, it’s also our job to come up with ideas that SELL. Of course, this is where writers might say: ‘But I don’t want to sell out!’ I totally get this. It can seem… Read More »What Writers Can Learn From The Short Film That Launched a $1 Billion Franchise

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How 600 Seconds Can Kill Your Script DEAD

600 Seconds To Victory? NEWSFLASH: 600 seconds can mean the difference between a full read of your spec screenplay … or not. Why 600 seconds? Well, the received wisdom is that a page of script is equal to one minute of screen time*. If a minute is 60 seconds, then your first ten pages = 600 seconds. It really is simple as that. (*Of course, this measurement is not an exact science. Pages with lots of dialogue may be faster, whereas those with more visuals may be longer. But that’s a conversation for another time!). But First, The Elephant In… Read More »How 600 Seconds Can Kill Your Script DEAD

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Ho! Ho! Ho! Top 10 Christmas Episodes of Favourite TV Sitcoms

Sitcom Christmas Episodes So I love sitcoms and I love Christmas … so it made sense to round up my favourite festive episodes for the holiday season. This time, I took them from my favourite 5 sitcoms of all time: New Girl, Modern Family, Brooklyn 99, Will & Grace and Friends. Be sure to share your faves in the comments! Ready? Let’s go … New Girl 1) LAXmas (s4, ep10) I think this might just be my favourite sitcom Christmas episode of all time! A storm causes chaos at the airport as Jess attempts to go to the UK to… Read More »Ho! Ho! Ho! Top 10 Christmas Episodes of Favourite TV Sitcoms

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#1 Error That Kills Interest In Your Pitch 100% Of The Time

#1 Error That Kills Your Pitch Obviously there are lots of ways to kill your pitch, but there’s a #1 error I see most often. This error is so widespread and so simple, you’ll kick yourself once you see it … … HIDING your story behind intangible, thematic stuff. In other words, writers go for VIBES over the actual events of the story. Instead of being overt about what literally happens, the writer will fall back on that #1 pitching error like this … A retired bodyguard faces his demons from his traumatic past as he guides a kidnapped girl… Read More »#1 Error That Kills Interest In Your Pitch 100% Of The Time

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An Introduction To Kishōtenketsu, The Art of Plot Contrast Over Conflict

All About Kishōtenketsu If you learned storytelling in the West, you may not have heard of kishōtenketsu. Whilst some literature and screenwriting degrees may include it, most prioritise what I call ‘the transformative arc’.  The most obvious transformative arc is, of course, The Hero’s Journey. A protagonist must go from ‘zero to hero’ while challenging a ‘Big Bad’ of some kind. Most often that protagonist will undergo fundamental changes in dealing with a villain. This villain may or may not be emblematic of ‘The System’. Good examples of villains that are part of ‘The System’ include Darth Vader (The Evil… Read More »An Introduction To Kishōtenketsu, The Art of Plot Contrast Over Conflict

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What Writers Can Learn From Jason Bateman: 6 Of His Top Roles

All About Jason Bateman Jason Bateman has long been a famous face in Hollywood, known for his various acting abilities and compelling performances. As a respected character actor, he is well-known for his versatility like his fellow A-Lister Ryan Gosling. I always recommend Bang2writers study their favourite actors’ work. This is because too many screenwriters forget actors are not just ‘meat puppets’. Actors choose stories that appeal to them, plus they work very hard at interpreting their roles. Actors also frequently have a very good eye for ‘the hook’ that will get viewers through the door of the cinema, or… Read More »What Writers Can Learn From Jason Bateman: 6 Of His Top Roles

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Spotlight on Structure: How To Use The Rashomon Storytelling Technique

What Is The Rashomon Storytelling Technique? If you haven’t heard of the Rashomon storytelling technique, you’ve almost certainly watched a movie or TV show or read a book that uses it. Named after the 1950 Japanese film by Akira Kurosawa’s groundbreaking Rashomon, this technique is known for its use of multiple perspectives to tell a single story. By allowing different characters to share their individual versions of events, the truth becomes subjective and open to interpretation. Examples of films and TV shows that use the Rashomon technique are … Pulp Fiction (1994) The Usual Suspects (1995) The Simpsons, Trilogy of… Read More »Spotlight on Structure: How To Use The Rashomon Storytelling Technique

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