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Top 5 Monster Moments Of All Time In Movies

Iconic Monster Moments The best monster moments don’t always involve blood, screaming or a full reveal. Sometimes it’s a face behind someone who hasn’t seen it yet. Sometimes it’s a still image that moves when it bloody shouldn’t. These five scenes got under my skin and stayed there. Here’s why they work, and what horror writers can steal from them … Ready? Let’s go! 1) Ripley comes face to face with the Xenomorph  (Alien 3) Whaaaaaaat you say?? How about ‘Get away from her, you BITCH!’  Look, Ripley in the robotic loader versus the Alien Queen in Aliens is a… Read More »Top 5 Monster Moments Of All Time In Movies

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The #1 Lie About Female Characters You Should Not Believe

The #1 Lie About Female Characters There’s a #1 lie I hear all the time about female characters. You may have heard it yourself, or even thought it. If you have, it’s not your fault. On the surface, it seems like common sense. After all, blogs like B2W have been warning for years that bad female characterisation is everywhere. So-called self-styled ‘gurus’ online offer all kinds of female character fixes. These may range from sensible but overlooked ones like the ‘fridged woman’ through to the well-meaning but fundamentally flawed, like The Bechdel Test. So what exactly is the #1 lie… Read More »The #1 Lie About Female Characters You Should Not Believe

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Want Better Story Feedback? 7 Ways to Improve Your Screenplay Or Novel – Fast

Stop Wasting Money on Coverage! My job is quite literally giving story feedback. I spend a lot of time working with writers. This means giving my thoughts on how their concepts, characters and plotting work in their novel or screenplay. That’s why it often surprises writers when I say, ‘Don’t waste money on coverage’. Some may believe – not unreasonably – I want writers to come to me to tell them *if* their story works. Obviously, giving writers story feedback means I can pay my bills. However, B2W has always (and will always) say that it’s much more productive to… Read More »Want Better Story Feedback? 7 Ways to Improve Your Screenplay Or Novel – Fast

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How Intercut Can Help Tell Your Story In Just 8 pictures

All About Intercut Whether you’re writing a screenplay or a novel, intercut can help you tell your story. An intercut is a storytelling technique used to rapidly switch back and forth between two different locations. This might be during a phone call, text message conversation, or parallel action. An intercut frequently plays around with the sense of time in your story, too. They may reference something that has happened in the past. However, intercuts can also reference to the future, to different versions of ‘now’ (whatever that means), or even thoughts and feelings. When Intercuts Go Wrong While intercuts are… Read More »How Intercut Can Help Tell Your Story In Just 8 pictures

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#1 Quick Tip For Leveling Up your Plotting In Less Than 60 Seconds

How To Get Better At Plotting What if you could get better at plotting in less than 60 seconds? Authors and screenwriters are forever looking for the secret to plotting. They buy books, sign up for courses, or watch endless YouTube videos. Meanwhile, one of the best plotting lessons around is hiding in plain sight before your favourite TV show even starts. But what is this secret sauce that can unlock our plots?? I’m talking about the “Previously On…” 60 second recaps Seriously! Whether you’re watching Netflix, Disney+, Apple TV, BBC, ITV or whatever else is currently eating up your evenings,… Read More »#1 Quick Tip For Leveling Up your Plotting In Less Than 60 Seconds

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5 Reasons Your Spec TV Pilot Should Contain A Show-Stopping Central Character

The Problem With Spec TV Pilots One of the biggest issues I see in speculative (not commissioned) TV pilots is a lack of a show-stopping central character. But why is this an issue? Well, if we want our spec TV pilot to be read and/or commissioned by industry pros, a show-stopping central character is non-negotiable. It’s common sense our own TV pilots need to be storytelling catnip for that commissioner. One of the ways we can do this is by creating a show-stopping character. A character so interesting and compelling, big-name and talented actors will want to attach. All About Show-Stopping Central… Read More »5 Reasons Your Spec TV Pilot Should Contain A Show-Stopping Central Character

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How To Write An Interrogation Scene (And What Most Writers Get Wrong)

All About Interrogation Scenes Interrogation scenes can be exceptionally powerful in our stories. They can be tense, adding to cause and effect, escalating the story towards the showdown. They can also be the moment one character – on either side of the table! – can move from one state of being to another (whatever that means for the story). When writers hear the word “interrogation”, most of us immediately think of police procedurals. Detectives sitting under fluorescent lights trying to get a suspect to crack. Yet interrogation scenes crop up in virtually every genre and type of story imaginable! Such… Read More »How To Write An Interrogation Scene (And What Most Writers Get Wrong)

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Boy Meets Girl: How To Write Romance That Impacts Your Reader

All About Boy Meets Girl ‘Boy Meets Girl’ is a plotting archetype that underpins probably 90% of romance stories. Across all subgenres and cross-genres of romance, we can see it in action because that’s what our readers and viewers WANT. I thought I would trace this powerful archetype and what makes it hit so hard. Ready? Let’s go … ‘Boy Meets Girl’, Beat for Beat 1)  The Set Up Like all stories across all mediums and genres, this archetype begins with the set up. We join the protagonist in their normal life and understand what missing there on an emotional… Read More »Boy Meets Girl: How To Write Romance That Impacts Your Reader

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5 Top Tips For Writing Romantasy That Bites Back

How To Write Romantasy That Bites Back I was at London Screenwriters Festival this weekend just past, where I did a masterclass on writing romantasy. This subgenre has exploded in the past three or four years across all media, yet many people get it wrong on why it’s so popular. Romantasy is NOT just fantasy with some kissing. The romance angle powers the story, while giving us brutal worlds, high stakes and love that complicates everything. It is all about danger and desire, fused. Ultimately, good romantasy is all about that core promise: if it doesn’t hurt, it’s not romantasy.… Read More »5 Top Tips For Writing Romantasy That Bites Back

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Ink and Emotion: Tracing The Path Of A Romance Novel

From Idea to Page: Tracing The Journey Tracing the path of a romance novel is all-important in understanding what your target reader wants. The latter is not about ‘selling out’, but selling. It’s what professional writers DO. As I’ve written before on this blog, romance is the #1 genre of all time. Whether you love it or loathe it yourself, it’s fair to say readers LOVE it! Tracing what they enjoy and why does not have to mean writing solely for the marketplace. It’s possible to give readers what they want, while also writing what YOU love too. It may… Read More »Ink and Emotion: Tracing The Path Of A Romance Novel

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Self-Editing Your Draft: From “WTAF?” to “Hell Yes, I Wrote That!”

All About Self-Editing Your Draft Whether you’re writing a novel or a screenplay, self-editing is key. Yet many writers don’t realise self-editing is even a thing! They may get in contact with a script editor like me to tell them what to do. Yet as I always say on this blog and the B2W social media, self-editing is a great idea. Doing this first is always going to get you better, more robust results than going straight to paid-for feedback-givers like B2W. It’s also A LOT cheaper! But how, exactly, do writers self-edit? Here’s my checklist, step by step. Ready?… Read More »Self-Editing Your Draft: From “WTAF?” to “Hell Yes, I Wrote That!”

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Bad Deals, Brave Asks and Why You’re Allowed To Walk Away (Yes, REALLY!)

All About Bad Deals NEWSFLASH: bad deals are not worth it! One thing I see over and over again with writers is this: They want it so badly that they’ll accept almost anything. An “opportunity” lands in their inbox. It sounds exciting, even flattering. It sounds like this might finally be the thing. Then, because they don’t want to miss out, writers don’t ask questions. They don’t push back. They don’t stop to think whether the deal actually helps them advance in their careers. Here’s the truth many writers don’t want to hear: A bad deal is often worse than no… Read More »Bad Deals, Brave Asks and Why You’re Allowed To Walk Away (Yes, REALLY!)

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