Skip to content

features

No, Your Characters DON’T Have To Change In Your Novel Or Screenplay. Here’s Why

Do Characters ‘Have’ To Change? In any conversation online about characterisation, it’s never long before somebody pops up proclaiming characters HAVE to change. They may even insist that a character who doesn’t change has ‘no arc’. Calling the department of WRONG! No, characters do NOT have to change. I can’t stress this enough. In fact, sometimes it’s desirable they DON’T change. Have I blown your mind? If I have, I’m not surprised. Writing gurus – especially in screenwriting circles – have been SO didactic about this topic in the last thirty or forty years. As a result, generations of writers… Read More »No, Your Characters DON’T Have To Change In Your Novel Or Screenplay. Here’s Why

Share this:

Your Ultimate Guide To Getting Representation As A Writer

Want Representation? Then Read THIS … One thing writers ask B2W about A LOT is how to get representation as a writer. Then Tom Vaughan popped up in my timeline recently with these gold nuggets below.  I particularly love his points about being ‘pre-scrutinised’. It’s SO true that relationships are the lifeblood of the industry. I just had to ask Tom if I could republish his pointers here on the main site. Luckily Tom agreed … and make sure you sign up for his awesome newsletter, HERE. Over to you, Tom! ‘How Do I Get Representation As A Writer?’ It’s… Read More »Your Ultimate Guide To Getting Representation As A Writer

Share this:

Why Your Draft Doesn’t Make Sense (Plus What To Do About It)

So, Your Draft Doesn’t Make Sense It’s the note every writer – new to professional – dreads: your draft doesn’t make sense. Eeek! When your draft doesn’t make sense, it can be very overwhelming. When we get the note our stories are hard to follow, it’s easy to sink into hopelessness and despair. Some of us may even take it as proof we’re ‘terrible writers’ too and spiral even more. Perhaps you’re confused, too? Maybe you don’t understand why your script editor, beta reader or peer reviewer finds your story so hard to follow. You may feel as if the… Read More »Why Your Draft Doesn’t Make Sense (Plus What To Do About It)

Share this:

Pitching Made Easy: A Foolproof Guide to Writing a Killer Pitch Deck

What Is A Pitch Deck? If you’ve been asked for a pitch deck and thought ‘WTAF is that??’, you’re not alone. One of the biggest issues with this screenwriting malarkey is the terminology seems to change every five bloody minutes. Put simply, a pitch deck is a short document that helps sell your story ‘off the page’. The idea is an agent, producer or script reader can assess your idea BEFORE they read your script. You may have seen them described online as … Series Bibles (for spec TV pilots) Treatment The Package (for spec and movies in production) A… Read More »Pitching Made Easy: A Foolproof Guide to Writing a Killer Pitch Deck

Share this:

Top 5 Reasons Producers Don’t Like Your Pitches

Your Next Step: Finding Producers You’ve got the script. You’re ready to get it made. Finding producers is your next step. But nobody seems to want to work on it with you. In fact, a lot of producers aren’t even replying to you!  So let’s see where you might be going wrong … Ready? Let’s go!  5) You didn’t make it personal Quite simply, you’re contacting a producer with no personal connection or interest in what you’re pitching. A producer will likely spend 6 months – 3 years devoted to a short film, and much longer for anything else. They’re… Read More »Top 5 Reasons Producers Don’t Like Your Pitches

Share this:

5 Things Writers Can Expect When Your Screenplay Starts Filming

Congratulations! So … your project has been greenlit and the first day of principal photography (aka filming) is set. Yay! However, a lot of writers are unaware of what happens AFTER you’ve hit *send* on your “final-final-final” draft. It’s time to shed light on the production stages of your script and what happens during the filming stages … Right up to post-production! Here’s 5 things writers can expect once their project starts filming… ready? Let’s go! 1) Yet More Drafts Oh, you thought you were finished?? NOPE! Once your project is greenlit and you’re working towards the first day of… Read More »5 Things Writers Can Expect When Your Screenplay Starts Filming

Share this:

No, There Are NOT ‘Loads’ Of Great Screenplays Waiting to Be Made. Here’s Why

Wanted: Great Screenplays ‘There must be LOADS of great screenplays in the pile just waiting to be made!!!’ I hear this, constantly. It’s a lament from wannabe screenwriters that NEVER goes away, it seems. But I can tell you, as a script reader & editor, IT’S NOT TRUE. Here’s why … First off, define ‘great screenplay’ Do you mean WRITTEN WELL? Hah, good luck. Finding well-written screenplays in the pile is harder than you think, especially when what constitutes ‘good writing’ means different things to different people. ‘Great screenplays’ #2 Do you mean a KILLER CONCEPT? Yeah, this shit is… Read More »No, There Are NOT ‘Loads’ Of Great Screenplays Waiting to Be Made. Here’s Why

Share this:

Why Remakes And Reboots Are Here To Stay (And No, It’s Not A Bad Thing)

The Pain of Remakes And Reboots Whenever I teach a screenwriting class, it won’t be long before someone brings up remakes and reboots. This person will most often* be a middle-aged white man at the beginning of his screenwriting journey. (*But obviously doesn’t have to be). Anyway, he will confess that remakes and reboots make him very angry … Hell, he may even GET angry just talking about them. Then he will insist that remakes and reboots are enemies of creativity and that Hollywood shouldn”t be so ‘risk averse’. When I ask him how many movies he’s watched this year… Read More »Why Remakes And Reboots Are Here To Stay (And No, It’s Not A Bad Thing)

Share this:

The 10 Most Iconic Teachers in Movies, TV and Literature

Iconic Teachers In media, teachers are often relegated to secondary character status. They may appear onstage to inspire their students, drop a pearl of wisdom, and disappear from whence they came. And while this can be an accurate of the fleeting presence of teachers in our own lives, it doesn’t do justice to the impact a good (or bad!) teacher can have on us. With that in mind, I wanted to pay homage to the most iconic teachers from movies, TV, and literature in true Bang2Write fashion. Consider this a star-studded teacher’s lounge, featuring some of the most memorable mentor… Read More »The 10 Most Iconic Teachers in Movies, TV and Literature

Share this:

5 Top Tips From The Black Phone Writers Can Learn

Watch & Read The Black Phone Now The Black Phone is a movie adaptation of the 2004 short story of the same title by Joe Hill. Directed by Scott Derrickson, the screenplay is written by Derrickson and his long-time collaborator C. Robert Cargill. I’m a HUGE fan of both Hill and this duo’s previous output including Sinister and The Exorcism of Emily Rose, so I was keen to watch the movie regardless. The logline for The Black Phone on imdb reads, “After being abducted by a child killer and locked in a soundproof basement, a 13-year-old boy starts receiving calls… Read More »5 Top Tips From The Black Phone Writers Can Learn

Share this:

It’s Never ONLY About The Story In Screenwriting – And That’s A GOOD Thing

‘It should ONLY be about the story!’ I often talk to writers about the commercial aspects of screenwriting. As someone who has seen lots of deals happen, I know that money talks. The industry is NOT a patron of the arts. It follows the $$$ because it’s ‘show BUSINESS’ after all. This means … Remakes and reboots are here to stay Great TV shows get cancelled if they don’t get enough views in the first few weeks (yes, really!) Why badly-written movies may still earn stacks Or why indie productions can sink without a trace if they don’t have enough… Read More »It’s Never ONLY About The Story In Screenwriting – And That’s A GOOD Thing

Share this:

Is Your Story A Mystery, Horror or Thriller? Here’s How To Tell

Mystery, Thriller or Horror? Mystery, Thriller and Horror novels and screenplays do BIG business as they have high ‘adaptability’. Readers and viewers love them … plus there’s a lot of convergence between them. This is because the Mystery, Horror and Thriller genres have lots of elements that cross over. However, lots of writers run into trouble because they’re not really sure what their story *is* at foundation level. Whilst many writers know mystery usually involves some kind of twist, they often don’t know how to get there. As a result, writers may make their mystery too easy to guess, or… Read More »Is Your Story A Mystery, Horror or Thriller? Here’s How To Tell

Share this: