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dramatic irony

How Intercut Can Help Tell Your Story In Just 8 pictures

All About Intercut Whether you’re writing a screenplay or a novel, intercut can help you tell your story. An intercut is a storytelling technique used to rapidly switch back and forth between two different locations. This might be during a phone call, text message conversation, or parallel action. An intercut frequently plays around with the sense of time in your story, too. They may reference something that has happened in the past. However, intercuts can also reference to the future, to different versions of ‘now’ (whatever that means), or even thoughts and feelings. When Intercuts Go Wrong While intercuts are… Read More »How Intercut Can Help Tell Your Story In Just 8 pictures

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How To Write An Interrogation Scene (And What Most Writers Get Wrong)

All About Interrogation Scenes Interrogation scenes can be exceptionally powerful in our stories. They can be tense, adding to cause and effect, escalating the story towards the showdown. They can also be the moment one character – on either side of the table! – can move from one state of being to another (whatever that means for the story). When writers hear the word “interrogation”, most of us immediately think of police procedurals. Detectives sitting under fluorescent lights trying to get a suspect to crack. Yet interrogation scenes crop up in virtually every genre and type of story imaginable! Such… Read More »How To Write An Interrogation Scene (And What Most Writers Get Wrong)

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What Writers Can Learn From The Short Film That Launched a $1 Billion Franchise

Selling, Not Selling Out ‘Write me a low-budget screenplay that launches a $1 billion dollar franchise.’  A producer said this in a room full of writers I was in, back at the very beginning of my career. To say it landed with me BIG TIME is an understatement. It made me realise that story is not the only thing writers must contend with. As a collaborative medium, it’s also our job to come up with ideas that SELL. Of course, this is where writers might say: ‘But I don’t want to sell out!’ I totally get this. It can seem… Read More »What Writers Can Learn From The Short Film That Launched a $1 Billion Franchise

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Boy Meets Girl: How To Write Romance That Impacts Your Reader

All About Boy Meets Girl ‘Boy Meets Girl’ is a plotting archetype that underpins probably 90% of romance stories. Across all subgenres and cross-genres of romance, we can see it in action because that’s what our readers and viewers WANT. I thought I would trace this powerful archetype and what makes it hit so hard. Ready? Let’s go … ‘Boy Meets Girl’, Beat for Beat 1)  The Set Up Like all stories across all mediums and genres, this archetype begins with the set up. We join the protagonist in their normal life and understand what missing there on an emotional… Read More »Boy Meets Girl: How To Write Romance That Impacts Your Reader

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6 Of The Best: What The Music of Hans Zimmer Can Teach Writers

The Complete Hans Zimmer Narrative Storytelling Arc Playlist Hans Zimmer is probably the most prolific musician working in film and TV today. So many of his soundtracks are absolutely iconic. You likely have a favourite piece of his, even if you don’t actively listen to OSTs yourself. Humans love music, but what many writers don’t realise is that musicians are storytellers just like us. That is most obvious when a piece of music has lyrics, but it’s also the case for music WITHOUT words. Music and TV have music for mood, tone and genre, but it also tells a story… Read More »6 Of The Best: What The Music of Hans Zimmer Can Teach Writers

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How ‘The One with The Embryos’ Nails Stakes, Tension & Pay Off

The One With The Embryos (s4, ep12) The One With The Embryos (aka ‘the quiz episode’) is one of my favourite Friends episodes of all time. In fact, I just lovelovelove s4 of the show; it’s probably my favourite season. The trivia contest is hilarious, but other iconic s4 moments include: Ross saying ‘Rachel’ at the altar Monica getting stung by a jellyfish Chandler and Rachel’s fight over the handcuffs in Joanna’s office Phoebe’s pregnancy with triplets Joey saying ‘How you doin’?’ for the first time and of course ‘The Friendly Finger’ (Ross’ way of giving The Finger with two… Read More »How ‘The One with The Embryos’ Nails Stakes, Tension & Pay Off

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The Genius of THE SHINING: Foreshadowing and Dramatic Irony Done Right

Happy Halloween From B2W The Shining is one of my favourite movies of all time. You may have noticed my fab poster in the background of my Zooms, livestreams and selfies (below). One of the reasons it is one of my favourites is because it was part of my own writing journey. I first watched the movie when I was a teenager. I was a strange kid who loved to watch things over and over in a loop. In doing so, I realised there were a variety of ‘giveaways’ of what would happen in the story. I was confused at… Read More »The Genius of THE SHINING: Foreshadowing and Dramatic Irony Done Right

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The Curse of Plot Armour: Why Some Characters Can’t Die (and Why It Matters)

What Is Plot Armour? Plot armour is when a character cannot die in a story, no matter what happens to them. It’s … The smooth-talking hero who survives falling off skyscrapers, cliffs, out of planes without a parachute Villains who appear to be dead, yet inexplicably come back to life Kickass hotties who can stop bullets hitting them by being super-fast Characters with supernatural or scientific abilities that stop them dying (including superheroes) Hitmen who have a ‘bulletproof suit’  (hello, literal plot armour in John Wick 4!) Plot armour is most obvious in horror, fantasy or science fiction, though it… Read More »The Curse of Plot Armour: Why Some Characters Can’t Die (and Why It Matters)

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Ho! Ho! Ho! Top 10 Christmas Episodes of Favourite TV Sitcoms

Sitcom Christmas Episodes So I love sitcoms and I love Christmas … so it made sense to round up my favourite festive episodes for the holiday season. This time, I took them from my favourite 5 sitcoms of all time: New Girl, Modern Family, Brooklyn 99, Will & Grace and Friends. Be sure to share your faves in the comments! Ready? Let’s go … New Girl 1) LAXmas (s4, ep10) I think this might just be my favourite sitcom Christmas episode of all time! A storm causes chaos at the airport as Jess attempts to go to the UK to… Read More »Ho! Ho! Ho! Top 10 Christmas Episodes of Favourite TV Sitcoms

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Spotlight on Structure: How To Use The Rashomon Storytelling Technique

What Is The Rashomon Storytelling Technique? If you haven’t heard of the Rashomon storytelling technique, you’ve almost certainly watched a movie or TV show or read a book that uses it. Named after the 1950 Japanese film by Akira Kurosawa’s groundbreaking Rashomon, this technique is known for its use of multiple perspectives to tell a single story. By allowing different characters to share their individual versions of events, the truth becomes subjective and open to interpretation. Examples of films and TV shows that use the Rashomon technique are … Pulp Fiction (1994) The Usual Suspects (1995) The Simpsons, Trilogy of… Read More »Spotlight on Structure: How To Use The Rashomon Storytelling Technique

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No, Your Characters DON’T Have To Change In Your Novel Or Screenplay. Here’s Why

Do Characters ‘Have’ To Change? In any conversation online about characterisation, it’s never long before somebody pops up proclaiming characters HAVE to change. They may even insist that a character who doesn’t change has ‘no arc’. Calling the department of WRONG! No, characters do NOT have to change. I can’t stress this enough. In fact, sometimes it’s desirable they DON’T change. Have I blown your mind? If I have, I’m not surprised. Writing gurus – especially in screenwriting circles – have been SO didactic about this topic in the last thirty or forty years. As a result, generations of writers… Read More »No, Your Characters DON’T Have To Change In Your Novel Or Screenplay. Here’s Why

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Unlock the Power of Cause & Effect in Your Writing with The Story Chain

All About The Story Chain Cause and effect is super-important in your novel or screenplay, which means a solid ‘story chain’ is everything. Cause and effect creates an engaging and cohesive story. In simple terms, cause and effect is all about showing how one event leads to another. This creates that ‘chain reaction’ that ultimately shapes the story. An obvious example of this we’re all familiar with is The Hero’s Journey. This plotting archetype shows us how a protagonist goes from ‘zero to hero’ via a number of well-thought-out steps that escalate. During the journey, the protagonist must go up… Read More »Unlock the Power of Cause & Effect in Your Writing with The Story Chain

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