I recently asked Bang2writers to get in touch with their thoughts on narrative function, so Ben W emailed me this:
“I was in a meeting recently and the producer kept going on about how much she liked my theme of “Anti-Capitalism taking on big corporations”. I just nodded and said “thanks” but to be honest, I didn’t really know what she meant because I never really thought about any of that writing it … To me, it’s just a Zombie movie! So who’s right?”
The dictionary defines the word “theme” as an “implicit or recurrent idea”. Typical themes in movies might be “good versus evil”, “survival”, “acceptance”, “redemption” or “identity”. Novels *may* have more “complicated” themes … for instance, I was told by four different readers they felt the theme of my novel is “What I didn’t know THEN, I know NOW.”
But that’s just it – themes are often as open to interpretation as everything else in this writing lark. Did I sit down and think, “What I didn’t know THEN, I know NOW” whilst writing my novel? No I did not. I was concentrating on the structure and the story. However, I can see why those readers believed that was my theme – so it is. To them and by happy accident, me too. However even if I had believed I had written a different theme, I believe the author is dead, so whatever my readers “took” from my narrative is the “right” answer, since it’s open to interpretation based on that individual person’s experience, values and beliefs.
I haven’t read Ben’s script, but apparently Zombies frequently represent mindless consumerism in movies and it’s not difficult to see why. Consumers are frequently called “Zombies” and Zombie movies often have scenes which take place in shopping malls, which is no accident.
So I think it’s not a question of “who’s right” so much here. Instead I would recommend Ben has a think of HOW his script might be seen by others – and it sounds like this producer has made a very common “reading” of his Zombie script. From there, I would recommend Ben considers whether he WANTS his script to be seen in this way: is *that* the “right” thing for it? Or maybe he doesn’t care, in which case all is fine.
So next time someone comments on the theme of your script, don’t think whether it’s the “right” theme (as it can be open to interpretation); think instead whether that person seeing it in that way HELPS or HINDERS your script’s chances. If it helps, all well and good … But if you believe it hinders, perhaps it’s worth a rethink and a rewrite.
heybackLucy ….vvvgooddiscussion .
For me :
Theme is what you find out your story is about (!)
Given so much of our storytelling emanates from the subconscious…..it is leaking out into our characters and story all the time. And so it shapes what do . Like an undercurrent …it carries the narrative forward and gives it an entirety which others spot . And often we register later . Once you have caught sight of it you might then grab it and strengthen that mighty current. It may have felt like it happened without you noticing it ( as with Ben) – but actually – it happens (often) because of you and your creative underpinning. I once heard Ted Hughes once answer a kid who said …”do you mind people reading stuff into your poems?” by saying ……””in ” YES. But If they are reading stuff OUT of my poems …….finding things are already coherently there – that’s fine.” My last thought is that once you have spotted your theme ( as opposed to your subject) it often gives birth to the title………
May the force be with you
SORRY FORGOT TO PUT MY NAME ON MY REPLY
It’s OK Barbara, I knew it was you from your email address! LV x
Thanks for introducing me to “death of the author”. It’s how I’ve always felt, especially when having had to critique poetry in high school.
You’re welcome, Roland Barthes’ “Structural Analysis of the narrative” is very illuminating!