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How Intercut Can Help Tell Your Story In Just 8 pictures

All About Intercut Whether you’re writing a screenplay or a novel, intercut can help you tell your story. An intercut is a storytelling technique used to rapidly switch back and forth between two different locations. This might be during a phone call, text message conversation, or parallel action. An intercut frequently plays around with the sense of time in your story, too. They may reference something that has happened in the past. However, intercuts can also reference to the future, to different versions of ‘now’ (whatever that means), or even thoughts and feelings. When Intercuts Go Wrong While intercuts are… Read More »How Intercut Can Help Tell Your Story In Just 8 pictures

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How Mystery Works: 7 Steps For Writing One In Your Screenplay or Novel

Writing A Mystery Writing a mystery is HARD. I’ve published ten novels now, many of them crime fiction. However, any genre in any medium can benefit from a mystery component. Police procedurals and domestic noir are the key subgenres that use mystery components. There have been over two hundred years of detective novels, plus modern psychological thrillers are super-popular with readers. On TV and in movies, there are frequently mysteries at the heart of thrillers, political or otherwise. We may see them in workplace shows (such as police, but also medical shows in which finding a diagnosis is key). They… Read More »How Mystery Works: 7 Steps For Writing One In Your Screenplay or Novel

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How To Write An Interrogation Scene (And What Most Writers Get Wrong)

All About Interrogation Scenes Interrogation scenes can be exceptionally powerful in our stories. They can be tense, adding to cause and effect, escalating the story towards the showdown. They can also be the moment one character – on either side of the table! – can move from one state of being to another (whatever that means for the story). When writers hear the word “interrogation”, most of us immediately think of police procedurals. Detectives sitting under fluorescent lights trying to get a suspect to crack. Yet interrogation scenes crop up in virtually every genre and type of story imaginable! Such… Read More »How To Write An Interrogation Scene (And What Most Writers Get Wrong)

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Why Your Screenwriting Career Is Stalling (And How To Fix It)

Feel like you’re stalling? If you feel like your screenwriting career is stalling, you’re not alone. The past ten years have created huge problems for the industry. Screenwriting circa 2026 is more challenging than it has ever been. Industry pros have left in record levels, with those that remain telling me it’s the worst they’ve ever seen it. But the point of this post is not to make you feel despondent. Instead, it’s designed to help you stop stalling and get your best chance of getting out of the spec script trenches. Ready? Let’s go … 1) Concept still sells!… Read More »Why Your Screenwriting Career Is Stalling (And How To Fix It)

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Why Most Spec Scripts Fail (It’s Not The Idea – It’s The Execution)

It’s All In The Execution? Most scripts don’t fail because the idea is bad – they fail because the execution is not doing the work. But how can we tell if our execution is not cutting it? Here’s 8 common pitfalls I see regularly in spec screenplays. Ready? Let’s go … 1) A situation is not a story A cool idea or set-up isn’t enough. Your concept at the heart of your story needs to be road-tested at foundation level. A story = movement. This means your story requires escalation, cause & effect, and a protagonist driving towards a clear… Read More »Why Most Spec Scripts Fail (It’s Not The Idea – It’s The Execution)

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The #1 Killer Opener Mistake That Nearly All Screenwriters Make

Killer Script Opener Mistakes There are lots of killer opener mistakes your spec screenplay needs to avoid. The beginning of your spec screenplay needs to do some serious heavy lifting for your story – not just for your characters, but the plot as well. This means screenwriters simply must do the following in their spec screenplays … Start with a strong, visual opener. Spec screenplays need to start with a visual that places us in the storyworld, genre and tone of your story. For more on this (including screenshots of opening images from produced TV shows, CLICK HERE). Introduce us to… Read More »The #1 Killer Opener Mistake That Nearly All Screenwriters Make

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Self-Editing Your Draft: From “WTAF?” to “Hell Yes, I Wrote That!”

All About Self-Editing Your Draft Whether you’re writing a novel or a screenplay, self-editing is key. Yet many writers don’t realise self-editing is even a thing! They may get in contact with a script editor like me to tell them what to do. Yet as I always say on this blog and the B2W social media, self-editing is a great idea. Doing this first is always going to get you better, more robust results than going straight to paid-for feedback-givers like B2W. It’s also A LOT cheaper! But how, exactly, do writers self-edit? Here’s my checklist, step by step. Ready?… Read More »Self-Editing Your Draft: From “WTAF?” to “Hell Yes, I Wrote That!”

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Bad Deals, Brave Asks and Why You’re Allowed To Walk Away (Yes, REALLY!)

All About Bad Deals NEWSFLASH: bad deals are not worth it! One thing I see over and over again with writers is this: They want it so badly that they’ll accept almost anything. An “opportunity” lands in their inbox. It sounds exciting, even flattering. It sounds like this might finally be the thing. Then, because they don’t want to miss out, writers don’t ask questions. They don’t push back. They don’t stop to think whether the deal actually helps them advance in their careers. Here’s the truth many writers don’t want to hear: A bad deal is often worse than no… Read More »Bad Deals, Brave Asks and Why You’re Allowed To Walk Away (Yes, REALLY!)

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10 Quick Tips To Writing Romance In The 2020s

All About Writing Romance So, you want to write romance in 2026, huh? Good. But before you roll your eyes at another “boy meets girl” idea, let me stop you. Romance isn’t dead, it’s thriving … and if you want to write it without looking like a clueless dinosaur, here’s what you need to know. Ready? Let’s go … 1) Romance goes with EVERYTHING! Yep … Everything. Thrillers? Romance. Dark fantasy? Romance. Even your grim post-apocalyptic world needs a smidge of “OMG, they might die but also maybe get together?” Humans crave relationships, so don’t ignore them. 2) Diversity isn’t… Read More »10 Quick Tips To Writing Romance In The 2020s

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The Genius of THE SHINING: Foreshadowing and Dramatic Irony Done Right

Happy Halloween From B2W The Shining is one of my favourite movies of all time. You may have noticed my fab poster in the background of my Zooms, livestreams and selfies (below). One of the reasons it is one of my favourites is because it was part of my own writing journey. I first watched the movie when I was a teenager. I was a strange kid who loved to watch things over and over in a loop. In doing so, I realised there were a variety of ‘giveaways’ of what would happen in the story. I was confused at… Read More »The Genius of THE SHINING: Foreshadowing and Dramatic Irony Done Right

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Stuck On Act 2? 5 Tips To Take Your Story Towards A Great Ending

The Dreaded Act 2 ‘Slump’ Screenwriter or author, many – if not most? – writers fear Act 2. Lots of Bang2writers I’ve worked one-to-one with label it ‘The Wasteland’! It’s not hard to see why. While Act 1 is full of promise, plus Act 3 is the ‘wrap up’, so it’s easy (and normal!) to stall in Act 2. Many writers stall because they’re not entirely sure what Act 2 is for. So, breaking it down, Act 2 is for … Escalation of the conflict (with characters ‘climbing walls, each one bigger than the last‘) Development of character arcs, so… Read More »Stuck On Act 2? 5 Tips To Take Your Story Towards A Great Ending

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The Curse of Plot Armour: Why Some Characters Can’t Die (and Why It Matters)

What Is Plot Armour? Plot armour is when a character cannot die in a story, no matter what happens to them. It’s … The smooth-talking hero who survives falling off skyscrapers, cliffs, out of planes without a parachute Villains who appear to be dead, yet inexplicably come back to life Kickass hotties who can stop bullets hitting them by being super-fast Characters with supernatural or scientific abilities that stop them dying (including superheroes) Hitmen who have a ‘bulletproof suit’  (hello, literal plot armour in John Wick 4!) Plot armour is most obvious in horror, fantasy or science fiction, though it… Read More »The Curse of Plot Armour: Why Some Characters Can’t Die (and Why It Matters)

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