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What 5 Classic Horror Movies Can Teach Us About Theme & Structure

Horror Is In Big Demand In The 2020s Classic horror movies are not just entertaining, they can teach spec screenwriters and filmmakers A LOT. As most of us know, good horror is in demand in the 2020s. Budgets are being cut to the bone right now, thanks to the political and technological furore that has dogged the industry in the post-Covid era. In addition, horror is one of the few genres that can stand up in contained spaces easily, plus a lack of star power … IF it’s done well. I wanted to look at five of my personal favourite… Read More »What 5 Classic Horror Movies Can Teach Us About Theme & Structure

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Top 5 Monster Moments Of All Time In Movies

Iconic Monster Moments The best monster moments don’t always involve blood, screaming or a full reveal. Sometimes it’s a face behind someone who hasn’t seen it yet. Sometimes it’s a still image that moves when it bloody shouldn’t. These five scenes got under my skin and stayed there. Here’s why they work, and what horror writers can steal from them … Ready? Let’s go! 1) Ripley comes face to face with the Xenomorph  (Alien 3) Whaaaaaaat you say?? How about ‘Get away from her, you BITCH!’  Look, Ripley in the robotic loader versus the Alien Queen in Aliens is a… Read More »Top 5 Monster Moments Of All Time In Movies

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The #1 Lie About Female Characters You Should Not Believe

The #1 Lie About Female Characters There’s a #1 lie I hear all the time about female characters. You may have heard it yourself, or even thought it. If you have, it’s not your fault. On the surface, it seems like common sense. After all, blogs like B2W have been warning for years that bad female characterisation is everywhere. So-called self-styled ‘gurus’ online offer all kinds of female character fixes. These may range from sensible but overlooked ones like the ‘fridged woman’ through to the well-meaning but fundamentally flawed, like The Bechdel Test. So what exactly is the #1 lie… Read More »The #1 Lie About Female Characters You Should Not Believe

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Want Better Story Feedback? 7 Ways to Improve Your Screenplay Or Novel – Fast

Stop Wasting Money on Coverage! My job is quite literally giving story feedback. I spend a lot of time working with writers. This means giving my thoughts on how their concepts, characters and plotting work in their novel or screenplay. That’s why it often surprises writers when I say, ‘Don’t waste money on coverage’. Some may believe – not unreasonably – I want writers to come to me to tell them *if* their story works. Obviously, giving writers story feedback means I can pay my bills. However, B2W has always (and will always) say that it’s much more productive to… Read More »Want Better Story Feedback? 7 Ways to Improve Your Screenplay Or Novel – Fast

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Top 5 Mistakes Writers Make With Short Films

Short Film Mistakes Writing short films is exceptionally difficult. In recent years, many film festivals have started to prioritise short films that are ten minutes or under. Telling a story in such a short timeframe is a big challenge. As a script editor, I’ve spent a lot of time in the world of short films. In the past 20+ years I have been … Involved with numerous produced films, including award winners & nominated ones A judge for Shore Scripts’ Short Film Fund A mentor on numerous screen agency short film schemes, including BFI New Voices Part of the steering… Read More »Top 5 Mistakes Writers Make With Short Films

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How Mystery Works: 7 Steps For Writing One In Your Screenplay or Novel

Writing A Mystery Writing a mystery is HARD. I’ve published ten novels now, many of them crime fiction. However, any genre in any medium can benefit from a mystery component. Police procedurals and domestic noir are the key subgenres that use mystery components. There have been over two hundred years of detective novels, plus modern psychological thrillers are super-popular with readers. On TV and in movies, there are frequently mysteries at the heart of thrillers, political or otherwise. We may see them in workplace shows (such as police, but also medical shows in which finding a diagnosis is key). They… Read More »How Mystery Works: 7 Steps For Writing One In Your Screenplay or Novel

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Overwhelmed With Writing? Stop Screwing Around and Do These 3 Things

Feeling Overwhelmed With Writing? If you’re feeling overwhelmed with writing right now, you’re not alone. But let’s cut the crap. If you’re a writer saying things like: “I have so many ideas, but I can’t commit to just one.”  “I just don’t know which idea will help my career the most.”  “I start writing, then realise I hate my story.” Then you do NOT have a special, rare creative problem. All of the above is NORMAL. So here’s a response that might make you mad AF at me, but here goes … … You have AVOIDANCE Avoidance is probably the… Read More »Overwhelmed With Writing? Stop Screwing Around and Do These 3 Things

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5 Reasons Your Spec TV Pilot Should Contain A Show-Stopping Central Character

The Problem With Spec TV Pilots One of the biggest issues I see in speculative (not commissioned) TV pilots is a lack of a show-stopping central character. But why is this an issue? Well, if we want our spec TV pilot to be read and/or commissioned by industry pros, a show-stopping central character is non-negotiable. It’s common sense our own TV pilots need to be storytelling catnip for that commissioner. One of the ways we can do this is by creating a show-stopping character. A character so interesting and compelling, big-name and talented actors will want to attach. All About Show-Stopping Central… Read More »5 Reasons Your Spec TV Pilot Should Contain A Show-Stopping Central Character

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How Your Story’s Opening Tells Audiences What To Expect (And Why It’s SO Important)

Your Story’s Promise To Your Target Viewers Or Readers Most spec screenplays don’t have a strong opener Instead, they open with generic scenes that could belong to literally any story. Yet *produced* movies and TV shows tell us exactly what we’re in for from the very first moments. All we have to do is really LOOK. 1) Opening With Your Genre Check out these stills I’ve taken of NowTV’s FROM, starring Harold Perrineau. From left to right, top to bottom: 1) The first image is of evergreen trees This shows we are in a rural area, near a forest. It’s… Read More »How Your Story’s Opening Tells Audiences What To Expect (And Why It’s SO Important)

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Why Your Screenwriting Career Is Stalling (And How To Fix It)

Feel like you’re stalling? If you feel like your screenwriting career is stalling, you’re not alone. The past ten years have created huge problems for the industry. Screenwriting circa 2026 is more challenging than it has ever been. Industry pros have left in record levels, with those that remain telling me it’s the worst they’ve ever seen it. But the point of this post is not to make you feel despondent. Instead, it’s designed to help you stop stalling and get your best chance of getting out of the spec script trenches. Ready? Let’s go … 1) Concept still sells!… Read More »Why Your Screenwriting Career Is Stalling (And How To Fix It)

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Why Most Spec Scripts Fail (It’s Not The Idea – It’s The Execution)

It’s All In The Execution? Most scripts don’t fail because the idea is bad – they fail because the execution is not doing the work. But how can we tell if our execution is not cutting it? Here’s 8 common pitfalls I see regularly in spec screenplays. Ready? Let’s go … 1) A situation is not a story A cool idea or set-up isn’t enough. Your concept at the heart of your story needs to be road-tested at foundation level. A story = movement. This means your story requires escalation, cause & effect, and a protagonist driving towards a clear… Read More »Why Most Spec Scripts Fail (It’s Not The Idea – It’s The Execution)

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How 600 Seconds Can Kill Your Script DEAD

600 Seconds To Victory? NEWSFLASH: 600 seconds can mean the difference between a full read of your spec screenplay … or not. Why 600 seconds? Well, the received wisdom is that a page of script is equal to one minute of screen time*. If a minute is 60 seconds, then your first ten pages = 600 seconds. It really is simple as that. (*Of course, this measurement is not an exact science. Pages with lots of dialogue may be faster, whereas those with more visuals may be longer. But that’s a conversation for another time!). But First, The Elephant In… Read More »How 600 Seconds Can Kill Your Script DEAD

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