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Top 5 Mistakes Writers Make With Short Films

Short Film Mistakes Writing short films is exceptionally difficult. In recent years, many film festivals have started to prioritise short films that are ten minutes or under. Telling a story in such a short timeframe is a big challenge. As a script editor, I’ve spent a lot of time in the world of short films. In the past 20+ years I have been … Involved with numerous produced films, including award winners & nominated ones A judge for Shore Scripts’ Short Film Fund A mentor on numerous screen agency short film schemes, including BFI New Voices Part of the steering… Read More »Top 5 Mistakes Writers Make With Short Films

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How Mystery Works: 7 Steps For Writing One In Your Screenplay or Novel

Writing A Mystery Writing a mystery is HARD. I’ve published ten novels now, many of them crime fiction. However, any genre in any medium can benefit from a mystery component. Police procedurals and domestic noir are the key subgenres that use mystery components. There have been over two hundred years of detective novels, plus modern psychological thrillers are super-popular with readers. On TV and in movies, there are frequently mysteries at the heart of thrillers, political or otherwise. We may see them in workplace shows (such as police, but also medical shows in which finding a diagnosis is key). They… Read More »How Mystery Works: 7 Steps For Writing One In Your Screenplay or Novel

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Overwhelmed With Writing? Stop Screwing Around and Do These 3 Things

Feeling Overwhelmed With Writing? If you’re feeling overwhelmed with writing right now, you’re not alone. But let’s cut the crap. If you’re a writer saying things like: “I have so many ideas, but I can’t commit to just one.”  “I just don’t know which idea will help my career the most.”  “I start writing, then realise I hate my story.” Then you do NOT have a special, rare creative problem. All of the above is NORMAL. So here’s a response that might make you mad AF at me, but here goes … … You have AVOIDANCE Avoidance is probably the… Read More »Overwhelmed With Writing? Stop Screwing Around and Do These 3 Things

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5 Reasons Your Spec TV Pilot Should Contain A Show-Stopping Central Character

The Problem With Spec TV Pilots One of the biggest issues I see in speculative (not commissioned) TV pilots is a lack of a show-stopping central character. But why is this an issue? Well, if we want our spec TV pilot to be read and/or commissioned by industry pros, a show-stopping central character is non-negotiable. It’s common sense our own TV pilots need to be storytelling catnip for that commissioner. One of the ways we can do this is by creating a show-stopping character. A character so interesting and compelling, big-name and talented actors will want to attach. All About Show-Stopping Central… Read More »5 Reasons Your Spec TV Pilot Should Contain A Show-Stopping Central Character

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How Your Story’s Opening Tells Audiences What To Expect (And Why It’s SO Important)

Your Story’s Promise To Your Target Viewers Or Readers Most spec screenplays don’t have a strong opener Instead, they open with generic scenes that could belong to literally any story. Yet *produced* movies and TV shows tell us exactly what we’re in for from the very first moments. All we have to do is really LOOK. 1) Opening With Your Genre Check out these stills I’ve taken of NowTV’s FROM, starring Harold Perrineau. From left to right, top to bottom: 1) The first image is of evergreen trees This shows we are in a rural area, near a forest. It’s… Read More »How Your Story’s Opening Tells Audiences What To Expect (And Why It’s SO Important)

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Why Your Screenwriting Career Is Stalling (And How To Fix It)

Feel like you’re stalling? If you feel like your screenwriting career is stalling, you’re not alone. The past ten years have created huge problems for the industry. Screenwriting circa 2026 is more challenging than it has ever been. Industry pros have left in record levels, with those that remain telling me it’s the worst they’ve ever seen it. But the point of this post is not to make you feel despondent. Instead, it’s designed to help you stop stalling and get your best chance of getting out of the spec script trenches. Ready? Let’s go … 1) Concept still sells!… Read More »Why Your Screenwriting Career Is Stalling (And How To Fix It)

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Why Most Spec Scripts Fail (It’s Not The Idea – It’s The Execution)

It’s All In The Execution? Most scripts don’t fail because the idea is bad – they fail because the execution is not doing the work. But how can we tell if our execution is not cutting it? Here’s 8 common pitfalls I see regularly in spec screenplays. Ready? Let’s go … 1) A situation is not a story A cool idea or set-up isn’t enough. Your concept at the heart of your story needs to be road-tested at foundation level. A story = movement. This means your story requires escalation, cause & effect, and a protagonist driving towards a clear… Read More »Why Most Spec Scripts Fail (It’s Not The Idea – It’s The Execution)

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How 600 Seconds Can Kill Your Script DEAD

600 Seconds To Victory? NEWSFLASH: 600 seconds can mean the difference between a full read of your spec screenplay … or not. Why 600 seconds? Well, the received wisdom is that a page of script is equal to one minute of screen time*. If a minute is 60 seconds, then your first ten pages = 600 seconds. It really is simple as that. (*Of course, this measurement is not an exact science. Pages with lots of dialogue may be faster, whereas those with more visuals may be longer. But that’s a conversation for another time!). But First, The Elephant In… Read More »How 600 Seconds Can Kill Your Script DEAD

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The #1 Killer Opener Mistake That Nearly All Screenwriters Make

Killer Script Opener Mistakes There are lots of killer opener mistakes your spec screenplay needs to avoid. The beginning of your spec screenplay needs to do some serious heavy lifting for your story – not just for your characters, but the plot as well. This means screenwriters simply must do the following in their spec screenplays … Start with a strong, visual opener. Spec screenplays need to start with a visual that places us in the storyworld, genre and tone of your story. For more on this (including screenshots of opening images from produced TV shows, CLICK HERE). Introduce us to… Read More »The #1 Killer Opener Mistake That Nearly All Screenwriters Make

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Self-Editing Your Draft: From “WTAF?” to “Hell Yes, I Wrote That!”

All About Self-Editing Your Draft Whether you’re writing a novel or a screenplay, self-editing is key. Yet many writers don’t realise self-editing is even a thing! They may get in contact with a script editor like me to tell them what to do. Yet as I always say on this blog and the B2W social media, self-editing is a great idea. Doing this first is always going to get you better, more robust results than going straight to paid-for feedback-givers like B2W. It’s also A LOT cheaper! But how, exactly, do writers self-edit? Here’s my checklist, step by step. Ready?… Read More »Self-Editing Your Draft: From “WTAF?” to “Hell Yes, I Wrote That!”

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Bad Deals, Brave Asks and Why You’re Allowed To Walk Away (Yes, REALLY!)

All About Bad Deals NEWSFLASH: bad deals are not worth it! One thing I see over and over again with writers is this: They want it so badly that they’ll accept almost anything. An “opportunity” lands in their inbox. It sounds exciting, even flattering. It sounds like this might finally be the thing. Then, because they don’t want to miss out, writers don’t ask questions. They don’t push back. They don’t stop to think whether the deal actually helps them advance in their careers. Here’s the truth many writers don’t want to hear: A bad deal is often worse than no… Read More »Bad Deals, Brave Asks and Why You’re Allowed To Walk Away (Yes, REALLY!)

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6 Of The Best: What The Music of Hans Zimmer Can Teach Writers

The Complete Hans Zimmer Narrative Storytelling Arc Playlist Hans Zimmer is probably the most prolific musician working in film and TV today. So many of his soundtracks are absolutely iconic. You likely have a favourite piece of his, even if you don’t actively listen to OSTs yourself. Humans love music, but what many writers don’t realise is that musicians are storytellers just like us. That is most obvious when a piece of music has lyrics, but it’s also the case for music WITHOUT words. Music and TV have music for mood, tone and genre, but it also tells a story… Read More »6 Of The Best: What The Music of Hans Zimmer Can Teach Writers

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