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#1 Quick Tip For Leveling Up your Plotting In Less Than 60 Seconds

How To Get Better At Plotting What if you could get better at plotting in less than 60 seconds? Authors and screenwriters are forever looking for the secret to plotting. They buy books, sign up for courses, or watch endless YouTube videos. Meanwhile, one of the best plotting lessons around is hiding in plain sight before your favourite TV show even starts. But what is this secret sauce that can unlock our plots?? I’m talking about the “Previously On…” 60 second recaps Seriously! Whether you’re watching Netflix, Disney+, Apple TV, BBC, ITV or whatever else is currently eating up your evenings,… Read More »#1 Quick Tip For Leveling Up your Plotting In Less Than 60 Seconds

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5 Reasons Your Spec TV Pilot Should Contain A Show-Stopping Central Character

The Problem With Spec TV Pilots One of the biggest issues I see in speculative (not commissioned) TV pilots is a lack of a show-stopping central character. But why is this an issue? Well, if we want our spec TV pilot to be read and/or commissioned by industry pros, a show-stopping central character is non-negotiable. It’s common sense our own TV pilots need to be storytelling catnip for that commissioner. One of the ways we can do this is by creating a show-stopping character. A character so interesting and compelling, big-name and talented actors will want to attach. All About Show-Stopping Central… Read More »5 Reasons Your Spec TV Pilot Should Contain A Show-Stopping Central Character

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How To Write An Interrogation Scene (And What Most Writers Get Wrong)

All About Interrogation Scenes Interrogation scenes can be exceptionally powerful in our stories. They can be tense, adding to cause and effect, escalating the story towards the showdown. They can also be the moment one character – on either side of the table! – can move from one state of being to another (whatever that means for the story). When writers hear the word “interrogation”, most of us immediately think of police procedurals. Detectives sitting under fluorescent lights trying to get a suspect to crack. Yet interrogation scenes crop up in virtually every genre and type of story imaginable! Such… Read More »How To Write An Interrogation Scene (And What Most Writers Get Wrong)

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5 Top Tips For Writing Romantasy That Bites Back

How To Write Romantasy That Bites Back I was at London Screenwriters Festival this weekend just past, where I did a masterclass on writing romantasy. This subgenre has exploded in the past three or four years across all media, yet many people get it wrong on why it’s so popular. Romantasy is NOT just fantasy with some kissing. The romance angle powers the story, while giving us brutal worlds, high stakes and love that complicates everything. It is all about danger and desire, fused. Ultimately, good romantasy is all about that core promise: if it doesn’t hurt, it’s not romantasy.… Read More »5 Top Tips For Writing Romantasy That Bites Back

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Ink and Emotion: Tracing The Path Of A Romance Novel

From Idea to Page: Tracing The Journey Tracing the path of a romance novel is all-important in understanding what your target reader wants. The latter is not about ‘selling out’, but selling. It’s what professional writers DO. As I’ve written before on this blog, romance is the #1 genre of all time. Whether you love it or loathe it yourself, it’s fair to say readers LOVE it! Tracing what they enjoy and why does not have to mean writing solely for the marketplace. It’s possible to give readers what they want, while also writing what YOU love too. It may… Read More »Ink and Emotion: Tracing The Path Of A Romance Novel

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Self-Editing Your Draft: From “WTAF?” to “Hell Yes, I Wrote That!”

All About Self-Editing Your Draft Whether you’re writing a novel or a screenplay, self-editing is key. Yet many writers don’t realise self-editing is even a thing! They may get in contact with a script editor like me to tell them what to do. Yet as I always say on this blog and the B2W social media, self-editing is a great idea. Doing this first is always going to get you better, more robust results than going straight to paid-for feedback-givers like B2W. It’s also A LOT cheaper! But how, exactly, do writers self-edit? Here’s my checklist, step by step. Ready?… Read More »Self-Editing Your Draft: From “WTAF?” to “Hell Yes, I Wrote That!”

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Top 10 Women in Male-Dominated Character Archetypes

All About Male-Dominated Archetypes This list includes Women in fictional media whose personalities and characters are usually reserved for male-dominated roles. In recent years, writers have become more and more interested in writing female characters. However, female leads are sometimes boxed into tropes that are stereotypically ‘girly’. Yet these male-dominated archetypes do not have to be just about male characters. Writers can use them as a starting point for female characters as well. 1) Buffy Summers (Buffy The Vampire Slayer) Buffy redefines the heroic warrior archetype, which is traditionally male-dominated. As well as that, she’s shown to be ‘the chosen… Read More »Top 10 Women in Male-Dominated Character Archetypes

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6 Of The Best: What The Music of Hans Zimmer Can Teach Writers

The Complete Hans Zimmer Narrative Storytelling Arc Playlist Hans Zimmer is probably the most prolific musician working in film and TV today. So many of his soundtracks are absolutely iconic. You likely have a favourite piece of his, even if you don’t actively listen to OSTs yourself. Humans love music, but what many writers don’t realise is that musicians are storytellers just like us. That is most obvious when a piece of music has lyrics, but it’s also the case for music WITHOUT words. Music and TV have music for mood, tone and genre, but it also tells a story… Read More »6 Of The Best: What The Music of Hans Zimmer Can Teach Writers

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Top 10 Badass Animated Female Leads You Should Know

Animated Female Leads Female leads have grown increasingly popular in animation over the past decade. While researching my book The Art of Writing Animation, I came across a few of these incredible ladies… and even met some of their creators! Out of the many animated films and TV series I watched, here are my top 10 badass female leads, in no particular order (may contain spoilers): 1) Merida, Brave (2012) Bang2writers may know Merida as a fearless female archer, but there’s more to her character. She’s the first female lead in a Pixar movie. Brave’s writer-director Brenda Chapman, wanted to… Read More »Top 10 Badass Animated Female Leads You Should Know

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10 Quick Tips To Writing Romance In The 2020s

All About Writing Romance So, you want to write romance in 2026, huh? Good. But before you roll your eyes at another “boy meets girl” idea, let me stop you. Romance isn’t dead, it’s thriving … and if you want to write it without looking like a clueless dinosaur, here’s what you need to know. Ready? Let’s go … 1) Romance goes with EVERYTHING! Yep … Everything. Thrillers? Romance. Dark fantasy? Romance. Even your grim post-apocalyptic world needs a smidge of “OMG, they might die but also maybe get together?” Humans crave relationships, so don’t ignore them. 2) Diversity isn’t… Read More »10 Quick Tips To Writing Romance In The 2020s

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5 Top Tips Crime Writers Can Learn From BBC1’s THE TRAITORS

What Crime Writers Can Learn from The Traitors The Traitors has been sweeping the UK. Three times a week, millions of people take time out of their day to watch a bunch of regular folks trying to solve an Agatha-Christie-style murder mystery. What is it that works for this series? 1) Everyone Wants To Be A Traitor It has to do with the format, of course. At the beginning of the show, Claudia Winkleman, the host, interviews each player and asks whether they would like to be a Faithful or a Traitor. Very few want to be Faithfuls. First, it’s… Read More »5 Top Tips Crime Writers Can Learn From BBC1’s THE TRAITORS

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On Character Motivation: How Your Main Character’s ‘Why’ Powers Your Story

All About Character Motivation Motivation is key in any good story: I call it the ‘why’ of characterisation. Your characters should not simply exist to serve the plot. Instead, they should drive the plot through their own choices, behaviour, worldview, backstory and actions. A subtle difference, but crucial. In other words then, a great character wants or needs something for a reason … and they must struggle to get it. Their ‘why’ may be personal, ranging from the good or neutral, through to the outright evil and villainous. Whatever makes your character act, fight or sacrifice, that ‘why’ is everything.… Read More »On Character Motivation: How Your Main Character’s ‘Why’ Powers Your Story

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