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5 Top Tips Crime Writers Can Learn From BBC1’s THE TRAITORS

What Crime Writers Can Learn from The Traitors The Traitors has been sweeping the UK. Three times a week, millions of people take time out of their day to watch a bunch of regular folks trying to solve an Agatha-Christie-style murder mystery. What is it that works for this series? 1) Everyone Wants To Be A Traitor It has to do with the format, of course. At the beginning of the show, Claudia Winkleman, the host, interviews each player and asks whether they would like to be a Faithful or a Traitor. Very few want to be Faithfuls. First, it’s… Read More »5 Top Tips Crime Writers Can Learn From BBC1’s THE TRAITORS

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5 Reasons Your Script Is a “Zombie” (And How to Fix It)

Is Your Script A ‘Zombie’? You followed the rules. You hit the beats. Your structure is technically sound …. So why does the script feel dead when you read it back? If your story makes sense but doesn’t move you, you may be dealing with what I call a Zombie Script. This is a term I developed while analysing the gap between Western cause-and-effect plotting (as seen in models like the Three-Act Structure) and Eastern emotional design. A Zombie Script walks, talks, and functions, but it has no pulse. Here are five common reasons scripts go zombie, and how to… Read More »5 Reasons Your Script Is a “Zombie” (And How to Fix It)

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5 Male Tropes Audiences And Readers Just Can’t Get Enough Of

Male Tropes To Watch Out For This blog may be known for critique of female characterisation, but that doesn’t mean male tropes don’t get a look in! I’ve been working on a new novel for 2026, so I’ve been researching male characterisation A LOT recently. Ready? Let’s go … 1) The Gentle Monster Example: Kofun in See (Apple TV+) Kofun is an outsider in his own world. He is physically powerful, raised in violence, but seeks connection over destruction. He is deeply sensitive and doesn’t want to harm anyone. Kofun’s refusal to lean into brutality makes him quietly radical in… Read More »5 Male Tropes Audiences And Readers Just Can’t Get Enough Of

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On Character Motivation: How Your Main Character’s ‘Why’ Powers Your Story

All About Character Motivation Motivation is key in any good story: I call it the ‘why’ of characterisation. Your characters should not simply exist to serve the plot. Instead, they should drive the plot through their own choices, behaviour, worldview, backstory and actions. A subtle difference, but crucial. In other words then, a great character wants or needs something for a reason … and they must struggle to get it. Their ‘why’ may be personal, ranging from the good or neutral, through to the outright evil and villainous. Whatever makes your character act, fight or sacrifice, that ‘why’ is everything.… Read More »On Character Motivation: How Your Main Character’s ‘Why’ Powers Your Story

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Top 10 Quick, Actionable Resolutions For Writers In 2026

Your Writing Resolutions For This Year Writing resolutions can get a bad rap, especially when writers FAIL at enacting them … but they can be super-useful at helping writers focus and get stuff done. I think the main problem with writing resolutions are … i) Writers go too big and get overwhelmed ii) Go too small and get bored iii) Or they go too vague and aren’t sure HOW to get them done That’s why I’ve deliberately kept these resolutions focused, actionable and meaty enough to move the needle (but not so large they’ll freak you out). Ready?? Then let’s go!… Read More »Top 10 Quick, Actionable Resolutions For Writers In 2026

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How ‘The One with The Embryos’ Nails Stakes, Tension & Pay Off

The One With The Embryos (s4, ep12) The One With The Embryos (aka ‘the quiz episode’) is one of my favourite Friends episodes of all time. In fact, I just lovelovelove s4 of the show; it’s probably my favourite season. The trivia contest is hilarious, but other iconic s4 moments include: Ross saying ‘Rachel’ at the altar Monica getting stung by a jellyfish Chandler and Rachel’s fight over the handcuffs in Joanna’s office Phoebe’s pregnancy with triplets Joey saying ‘How you doin’?’ for the first time and of course ‘The Friendly Finger’ (Ross’ way of giving The Finger with two… Read More »How ‘The One with The Embryos’ Nails Stakes, Tension & Pay Off

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Why Female Characters Should Kill More People In Your Story

The REAL Battle of the Sexes Male characters kill all the time in stories, for a myriad of motivations. While Thriller and Horror are obviously the top genres for body count in TV, movies or novels, we may see killings happen in Sci-Fi, Fantasy, Drama and Literary Fiction too. Look, not everyone likes killing in stories and that’s fine. If that’s you, then you may want to skip this article. But in many genres, life or death stakes mean our characters’ lives are on the line … which means characters may be forced to kill. Male killer characters may be… Read More »Why Female Characters Should Kill More People In Your Story

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Into The Spec Pile: 12 Quick Tips On Making Your Submission Stand Out

Into The Spec Pile I’ve been diving into the spec pile of screenplays and novels for 20+ years now. ‘Spec’ is short for ‘speculative’, meaning no one in the industry has asked the writer to create that story. Instead, the writers have done it themselves ‘on spec’. I always call it the SPEC pile rather than the more common ‘slush pile’. To me, ‘spec pile’ is much more neutral, whereas ‘slush pile’ seems very derogatory. It is essential to remember that ANY story – script or novel – is someone’s hopes and dreams. However, I also like to shine a… Read More »Into The Spec Pile: 12 Quick Tips On Making Your Submission Stand Out

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The Genius of THE SHINING: Foreshadowing and Dramatic Irony Done Right

Happy Halloween From B2W The Shining is one of my favourite movies of all time. You may have noticed my fab poster in the background of my Zooms, livestreams and selfies (below). One of the reasons it is one of my favourites is because it was part of my own writing journey. I first watched the movie when I was a teenager. I was a strange kid who loved to watch things over and over in a loop. In doing so, I realised there were a variety of ‘giveaways’ of what would happen in the story. I was confused at… Read More »The Genius of THE SHINING: Foreshadowing and Dramatic Irony Done Right

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Top 10 Tips For Writing Powerful Genre Novels & Screenplays

Writing Powerful Genre If you want to write powerful genre novels and screenplays, you’ve come to the right place. Powerful genre is a non-negotiable in the 2020s in both screenwriting and publishing … but this means you really have to know what you’re doing! So if you want to harness the true power of genre, let’s go … 1) Know The Conventions Writers frequently try to write genres through the power of intuition alone. This means they simply decide their story IS a thriller, comedy, horror, romance etc and write it. But guess what? Genres have conventions! That means there… Read More »Top 10 Tips For Writing Powerful Genre Novels & Screenplays

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5 Steps To Writing Success (Or Why Optimism Bias Kills Your Chances)

What Is ‘Optimism Bias’? Optimism bias is the tendency of an individual to overestimate the likelihood of positive events and underestimate the possibility of negative events. I see it all the time in writers, who may feel their masterpiece novel or screenplay will get picked up right away … and when they don’t, they get VERY downhearted. All of us are vulnerable to optimism bias, by the way. It’s very easy to get carried away and imagine our futures accepting Oscars, seeing our books on shelves, our TV shows on Netflix, or movie posters in our mind’s eye! What’s more,… Read More »5 Steps To Writing Success (Or Why Optimism Bias Kills Your Chances)

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Stuck On Act 2? 5 Tips To Take Your Story Towards A Great Ending

The Dreaded Act 2 ‘Slump’ Screenwriter or author, many – if not most? – writers fear Act 2. Lots of Bang2writers I’ve worked one-to-one with label it ‘The Wasteland’! It’s not hard to see why. While Act 1 is full of promise, plus Act 3 is the ‘wrap up’, so it’s easy (and normal!) to stall in Act 2. Many writers stall because they’re not entirely sure what Act 2 is for. So, breaking it down, Act 2 is for … Escalation of the conflict (with characters ‘climbing walls, each one bigger than the last‘) Development of character arcs, so… Read More »Stuck On Act 2? 5 Tips To Take Your Story Towards A Great Ending

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