Skip to content

script reading

The #1 Killer Opener Mistake That Nearly All Screenwriters Make

Killer Script Opener Mistakes There are lots of killer opener mistakes your spec screenplay needs to avoid. The beginning of your spec screenplay needs to do some serious heavy lifting for your story – not just for your characters, but the plot as well. This means screenwriters simply must do the following in their spec screenplays … Start with a strong, visual opener. Spec screenplays need to start with a visual that places us in the storyworld, genre and tone of your story. For more on this (including screenshots of opening images from produced TV shows, CLICK HERE). Introduce us to… Read More »The #1 Killer Opener Mistake That Nearly All Screenwriters Make

Share this:

Self-Editing Your Draft: From “WTAF?” to “Hell Yes, I Wrote That!”

All About Self-Editing Your Draft Whether you’re writing a novel or a screenplay, self-editing is key. Yet many writers don’t realise self-editing is even a thing! They may get in contact with a script editor like me to tell them what to do. Yet as I always say on this blog and the B2W social media, self-editing is a great idea. Doing this first is always going to get you better, more robust results than going straight to paid-for feedback-givers like B2W. It’s also A LOT cheaper! But how, exactly, do writers self-edit? Here’s my checklist, step by step. Ready?… Read More »Self-Editing Your Draft: From “WTAF?” to “Hell Yes, I Wrote That!”

Share this:

6 Of The Best: What The Music of Hans Zimmer Can Teach Writers

The Complete Hans Zimmer Narrative Storytelling Arc Playlist Hans Zimmer is probably the most prolific musician working in film and TV today. So many of his soundtracks are absolutely iconic. You likely have a favourite piece of his, even if you don’t actively listen to OSTs yourself. Humans love music, but what many writers don’t realise is that musicians are storytellers just like us. That is most obvious when a piece of music has lyrics, but it’s also the case for music WITHOUT words. Music and TV have music for mood, tone and genre, but it also tells a story… Read More »6 Of The Best: What The Music of Hans Zimmer Can Teach Writers

Share this:

5 Reasons Your Script Is a “Zombie” (And How to Fix It)

Is Your Script A ‘Zombie’? You followed the rules. You hit the beats. Your structure is technically sound …. So why does the script feel dead when you read it back? If your story makes sense but doesn’t move you, you may be dealing with what I call a Zombie Script. This is a term I developed while analysing the gap between Western cause-and-effect plotting (as seen in models like the Three-Act Structure) and Eastern emotional design. A Zombie Script walks, talks, and functions, but it has no pulse. Here are five common reasons scripts go zombie, and how to… Read More »5 Reasons Your Script Is a “Zombie” (And How to Fix It)

Share this:

How ‘The One with The Embryos’ Nails Stakes, Tension & Pay Off

The One With The Embryos (s4, ep12) The One With The Embryos (aka ‘the quiz episode’) is one of my favourite Friends episodes of all time. In fact, I just lovelovelove s4 of the show; it’s probably my favourite season. The trivia contest is hilarious, but other iconic s4 moments include: Ross saying ‘Rachel’ at the altar Monica getting stung by a jellyfish Chandler and Rachel’s fight over the handcuffs in Joanna’s office Phoebe’s pregnancy with triplets Joey saying ‘How you doin’?’ for the first time and of course ‘The Friendly Finger’ (Ross’ way of giving The Finger with two… Read More »How ‘The One with The Embryos’ Nails Stakes, Tension & Pay Off

Share this:

Inside The Spec Pile: Novel No-Nos To Avoid In Your First 3 Chapters

Novel No-Nos To Avoid The first three chapters are the main event when it comes to your novel submissions. (Want to know what else you should submit with your first three chapters? CLICK HERE). Yet as any script reader, sifter, intern or agent’s assistant can tell you, the average first three chapters simply don’t hit the mark. These ‘novel no-nos’ can be varied, so I’m going to list the most common here with links to help. Ready? Then let’s go … 1) Starting with the weather Uh oh! This is one of classic author Elmore Leonard’s Top 10 Writing Rules. Remember:… Read More »Inside The Spec Pile: Novel No-Nos To Avoid In Your First 3 Chapters

Share this:

Into The Spec Pile: 12 Quick Tips On Making Your Submission Stand Out

Into The Spec Pile I’ve been diving into the spec pile of screenplays and novels for 20+ years now. ‘Spec’ is short for ‘speculative’, meaning no one in the industry has asked the writer to create that story. Instead, the writers have done it themselves ‘on spec’. I always call it the SPEC pile rather than the more common ‘slush pile’. To me, ‘spec pile’ is much more neutral, whereas ‘slush pile’ seems very derogatory. It is essential to remember that ANY story – script or novel – is someone’s hopes and dreams. However, I also like to shine a… Read More »Into The Spec Pile: 12 Quick Tips On Making Your Submission Stand Out

Share this:

The Genius of THE SHINING: Foreshadowing and Dramatic Irony Done Right

Happy Halloween From B2W The Shining is one of my favourite movies of all time. You may have noticed my fab poster in the background of my Zooms, livestreams and selfies (below). One of the reasons it is one of my favourites is because it was part of my own writing journey. I first watched the movie when I was a teenager. I was a strange kid who loved to watch things over and over in a loop. In doing so, I realised there were a variety of ‘giveaways’ of what would happen in the story. I was confused at… Read More »The Genius of THE SHINING: Foreshadowing and Dramatic Irony Done Right

Share this:

Top 10 Tips For Writing Powerful Genre Novels & Screenplays

Writing Powerful Genre If you want to write powerful genre novels and screenplays, you’ve come to the right place. Powerful genre is a non-negotiable in the 2020s in both screenwriting and publishing … but this means you really have to know what you’re doing! So if you want to harness the true power of genre, let’s go … 1) Know The Conventions Writers frequently try to write genres through the power of intuition alone. This means they simply decide their story IS a thriller, comedy, horror, romance etc and write it. But guess what? Genres have conventions! That means there… Read More »Top 10 Tips For Writing Powerful Genre Novels & Screenplays

Share this:

5 Steps To Writing Success (Or Why Optimism Bias Kills Your Chances)

What Is ‘Optimism Bias’? Optimism bias is the tendency of an individual to overestimate the likelihood of positive events and underestimate the possibility of negative events. I see it all the time in writers, who may feel their masterpiece novel or screenplay will get picked up right away … and when they don’t, they get VERY downhearted. All of us are vulnerable to optimism bias, by the way. It’s very easy to get carried away and imagine our futures accepting Oscars, seeing our books on shelves, our TV shows on Netflix, or movie posters in our mind’s eye! What’s more,… Read More »5 Steps To Writing Success (Or Why Optimism Bias Kills Your Chances)

Share this:

Stuck On Act 2? 5 Tips To Take Your Story Towards A Great Ending

The Dreaded Act 2 ‘Slump’ Screenwriter or author, many – if not most? – writers fear Act 2. Lots of Bang2writers I’ve worked one-to-one with label it ‘The Wasteland’! It’s not hard to see why. While Act 1 is full of promise, plus Act 3 is the ‘wrap up’, so it’s easy (and normal!) to stall in Act 2. Many writers stall because they’re not entirely sure what Act 2 is for. So, breaking it down, Act 2 is for … Escalation of the conflict (with characters ‘climbing walls, each one bigger than the last‘) Development of character arcs, so… Read More »Stuck On Act 2? 5 Tips To Take Your Story Towards A Great Ending

Share this:

The Curse of Plot Armour: Why Some Characters Can’t Die (and Why It Matters)

What Is Plot Armour? Plot armour is when a character cannot die in a story, no matter what happens to them. It’s … The smooth-talking hero who survives falling off skyscrapers, cliffs, out of planes without a parachute Villains who appear to be dead, yet inexplicably come back to life Kickass hotties who can stop bullets hitting them by being super-fast Characters with supernatural or scientific abilities that stop them dying (including superheroes) Hitmen who have a ‘bulletproof suit’  (hello, literal plot armour in John Wick 4!) Plot armour is most obvious in horror, fantasy or science fiction, though it… Read More »The Curse of Plot Armour: Why Some Characters Can’t Die (and Why It Matters)

Share this: