Skip to content

rewrites

How Your Story’s Opening Tells Audiences What To Expect (And Why It’s SO Important)

Your Story’s Promise To Your Target Viewers Or Readers Most spec screenplays don’t have a strong opener Instead, they open with generic scenes that could belong to literally any story. Yet *produced* movies and TV shows tell us exactly what we’re in for from the very first moments. All we have to do is really LOOK. 1) Opening With Your Genre Check out these stills I’ve taken of NowTV’s FROM, starring Harold Perrineau. From left to right, top to bottom: 1) The first image is of evergreen trees This shows we are in a rural area, near a forest. It’s… Read More »How Your Story’s Opening Tells Audiences What To Expect (And Why It’s SO Important)

Share this:

Why Your Screenwriting Career Is Stalling (And How To Fix It)

Feel like you’re stalling? If you feel like your screenwriting career is stalling, you’re not alone. The past ten years have created huge problems for the industry. Screenwriting circa 2026 is more challenging than it has ever been. Industry pros have left in record levels, with those that remain telling me it’s the worst they’ve ever seen it. But the point of this post is not to make you feel despondent. Instead, it’s designed to help you stop stalling and get your best chance of getting out of the spec script trenches. Ready? Let’s go … 1) Concept still sells!… Read More »Why Your Screenwriting Career Is Stalling (And How To Fix It)

Share this:

Why Most Spec Scripts Fail (It’s Not The Idea – It’s The Execution)

It’s All In The Execution? Most scripts don’t fail because the idea is bad – they fail because the execution is not doing the work. But how can we tell if our execution is not cutting it? Here’s 8 common pitfalls I see regularly in spec screenplays. Ready? Let’s go … 1) A situation is not a story A cool idea or set-up isn’t enough. Your concept at the heart of your story needs to be road-tested at foundation level. A story = movement. This means your story requires escalation, cause & effect, and a protagonist driving towards a clear… Read More »Why Most Spec Scripts Fail (It’s Not The Idea – It’s The Execution)

Share this:

What Writers Can Learn From The Short Film That Launched a $1 Billion Franchise

Selling, Not Selling Out ‘Write me a low-budget screenplay that launches a $1 billion dollar franchise.’  A producer said this in a room full of writers I was in, back at the very beginning of my career. To say it landed with me BIG TIME is an understatement. It made me realise that story is not the only thing writers must contend with. As a collaborative medium, it’s also our job to come up with ideas that SELL. Of course, this is where writers might say: ‘But I don’t want to sell out!’ I totally get this. It can seem… Read More »What Writers Can Learn From The Short Film That Launched a $1 Billion Franchise

Share this:

How 600 Seconds Can Kill Your Script DEAD

600 Seconds To Victory? NEWSFLASH: 600 seconds can mean the difference between a full read of your spec screenplay … or not. Why 600 seconds? Well, the received wisdom is that a page of script is equal to one minute of screen time*. If a minute is 60 seconds, then your first ten pages = 600 seconds. It really is simple as that. (*Of course, this measurement is not an exact science. Pages with lots of dialogue may be faster, whereas those with more visuals may be longer. But that’s a conversation for another time!). But First, The Elephant In… Read More »How 600 Seconds Can Kill Your Script DEAD

Share this:

Ink and Emotion: Tracing The Path Of A Romance Novel

From Idea to Page: Tracing The Journey Tracing the path of a romance novel is all-important in understanding what your target reader wants. The latter is not about ‘selling out’, but selling. It’s what professional writers DO. As I’ve written before on this blog, romance is the #1 genre of all time. Whether you love it or loathe it yourself, it’s fair to say readers LOVE it! Tracing what they enjoy and why does not have to mean writing solely for the marketplace. It’s possible to give readers what they want, while also writing what YOU love too. It may… Read More »Ink and Emotion: Tracing The Path Of A Romance Novel

Share this:

The #1 Killer Opener Mistake That Nearly All Screenwriters Make

Killer Script Opener Mistakes There are lots of killer opener mistakes your spec screenplay needs to avoid. The beginning of your spec screenplay needs to do some serious heavy lifting for your story – not just for your characters, but the plot as well. This means screenwriters simply must do the following in their spec screenplays … Start with a strong, visual opener. Spec screenplays need to start with a visual that places us in the storyworld, genre and tone of your story. For more on this (including screenshots of opening images from produced TV shows, CLICK HERE). Introduce us to… Read More »The #1 Killer Opener Mistake That Nearly All Screenwriters Make

Share this:

Self-Editing Your Draft: From “WTAF?” to “Hell Yes, I Wrote That!”

All About Self-Editing Your Draft Whether you’re writing a novel or a screenplay, self-editing is key. Yet many writers don’t realise self-editing is even a thing! They may get in contact with a script editor like me to tell them what to do. Yet as I always say on this blog and the B2W social media, self-editing is a great idea. Doing this first is always going to get you better, more robust results than going straight to paid-for feedback-givers like B2W. It’s also A LOT cheaper! But how, exactly, do writers self-edit? Here’s my checklist, step by step. Ready?… Read More »Self-Editing Your Draft: From “WTAF?” to “Hell Yes, I Wrote That!”

Share this:

Bad Deals, Brave Asks and Why You’re Allowed To Walk Away (Yes, REALLY!)

All About Bad Deals NEWSFLASH: bad deals are not worth it! One thing I see over and over again with writers is this: They want it so badly that they’ll accept almost anything. An “opportunity” lands in their inbox. It sounds exciting, even flattering. It sounds like this might finally be the thing. Then, because they don’t want to miss out, writers don’t ask questions. They don’t push back. They don’t stop to think whether the deal actually helps them advance in their careers. Here’s the truth many writers don’t want to hear: A bad deal is often worse than no… Read More »Bad Deals, Brave Asks and Why You’re Allowed To Walk Away (Yes, REALLY!)

Share this:

10 Quick Tips To Writing Romance In The 2020s

All About Writing Romance So, you want to write romance in 2026, huh? Good. But before you roll your eyes at another “boy meets girl” idea, let me stop you. Romance isn’t dead, it’s thriving … and if you want to write it without looking like a clueless dinosaur, here’s what you need to know. Ready? Let’s go … 1) Romance goes with EVERYTHING! Yep … Everything. Thrillers? Romance. Dark fantasy? Romance. Even your grim post-apocalyptic world needs a smidge of “OMG, they might die but also maybe get together?” Humans crave relationships, so don’t ignore them. 2) Diversity isn’t… Read More »10 Quick Tips To Writing Romance In The 2020s

Share this:

5 Reasons Your Script Is a “Zombie” (And How to Fix It)

Is Your Script A ‘Zombie’? You followed the rules. You hit the beats. Your structure is technically sound …. So why does the script feel dead when you read it back? If your story makes sense but doesn’t move you, you may be dealing with what I call a Zombie Script. This is a term I developed while analysing the gap between Western cause-and-effect plotting (as seen in models like the Three-Act Structure) and Eastern emotional design. A Zombie Script walks, talks, and functions, but it has no pulse. Here are five common reasons scripts go zombie, and how to… Read More »5 Reasons Your Script Is a “Zombie” (And How to Fix It)

Share this:

3 Ways Anti-Wokists Are Right About Storytelling In The 2020s

Let’s Talk about So-Called ‘Anti-Wokists’ ‘Anti-wokists’ are those voices in the culture wars claiming stories have become “too political.” They complain that writers are prioritising agendas over quality. They may say that entertainment has lost its way altogether. Let’s get one thing clear first: no, I have not lost or changed my mind. I believe in inclusion, authentic representation, and thoughtful storytelling. (It would be bonkers if I didn’t, I literally wrote an entire book on this!). But I also believe in looking critically at all perspectives … Yes, even the ones we fundamentally disagree with. (Because, obviously – on… Read More »3 Ways Anti-Wokists Are Right About Storytelling In The 2020s

Share this: