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Movie Lessons For Writers

Why Remakes And Reboots Are Here To Stay (And No, It’s Not A Bad Thing)

The Pain of Remakes And Reboots Whenever I teach a screenwriting class, it won’t be long before someone brings up remakes and reboots. This person will most often* be a middle-aged white man at the beginning of his screenwriting journey. (*But obviously doesn’t have to be). Anyway, he will confess that remakes and reboots make him very angry … Hell, he may even GET angry just talking about them. Then he will insist that remakes and reboots are enemies of creativity and that Hollywood shouldn”t be so ‘risk averse’. When I ask him how many movies he’s watched this year… Read More »Why Remakes And Reboots Are Here To Stay (And No, It’s Not A Bad Thing)

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5 Top Tips From The Black Phone Writers Can Learn

Watch & Read The Black Phone Now The Black Phone is a movie adaptation of the 2004 short story of the same title by Joe Hill. Directed by Scott Derrickson, the screenplay is written by Derrickson and his long-time collaborator C. Robert Cargill. I’m a HUGE fan of both Hill and this duo’s previous output including Sinister and The Exorcism of Emily Rose, so I was keen to watch the movie regardless. The logline for The Black Phone on imdb reads, “After being abducted by a child killer and locked in a soundproof basement, a 13-year-old boy starts receiving calls… Read More »5 Top Tips From The Black Phone Writers Can Learn

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8 Powerful Reminders For Writers From SEE On Apple TV

See on Apple TV So, See on AppleTV concluded last week. Written by Steven Knight (Peaky Blinders, Dirty Pretty Things, Locke), it’s been one of my favourite TV series of recent years. Though unpopular with the critics, the show has been a big hit with audiences. This means I  believe See has plenty to teach us as writers. Here’s eight powerful reminders from the show I picked out … Ready? Let’s go! 1) Old story, new telling Post-apocalyptic worlds set in the future are not new. In the past ten years, they’ve been exceptionally popular. We’ve seen such dystopian storyworlds in… Read More »8 Powerful Reminders For Writers From SEE On Apple TV

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1 Killer Screenwriting Trick From Walter Hill (ALIEN)

About Walter Hill Walter Hill is a director, screenwriter and producer with a super-shiny resumé. He is the writer-director of the classic gang warfare movie The Warriors, an adaptation of the novel by Sol Yurick. Known primarily for the action genre, Hill has worked with all kinds of Hollywood royalty such as Arnold Schwarzenegger (Red Heat); Eddie Murphy (48 Hours and Another 48 Hours); Sylvester Stallone and Jason Momoa (Bullet to The Head); and even Steve McQueen and Sam Peckinpah (Hardboiled crime author Jim Thompson’s The Getaway). But even with all that in mind, Hill is perhaps most famous for producing… Read More »1 Killer Screenwriting Trick From Walter Hill (ALIEN)

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Javier Grillo-Marxuach: ‘Lost Was NOT Purgatory’ (And Other Tales)

About Javier Grillo-Marxuach Javier Grillo-Marxuach is a screenwriter and producer. He has the kind of resumé most Bang2writers would kill for, including iconic shows like Charmed and Lost. He’s continued with fantastic modern TV such as The Witcher, The 100 and The Dark Crystal: Age of Resistance as well. Wow! I was delighted to Zoom with Javier recently. I love high concept, dystopian and post-apocalyptic story worlds. He’s literally worked on some of my favourite shows that have influenced my own writing! Javier also wrote the AMAZING 11 Laws of show running, an online essay/memo which really requires its own post.… Read More »Javier Grillo-Marxuach: ‘Lost Was NOT Purgatory’ (And Other Tales)

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Cobra Kai: 5 Lessons In Turning A Movie Into A Great TV Series

Karate Kid Becomes Cobra Kai Everyone seems to be talking about Cobra Kai. Except for the scene of Mr. Miyagi catching a fly with his chopsticks and the iconic “Wax On, Wax Off” I never thought Karate Kid was a movie worth revisiting. The original movie of 1984 turned into a franchise of Karate Kid 2 (1986) & Karate Kid 3 (1989). A remake in 2010 was not proof it was worth reconsidering my verdict. However, the last few months I kept hearing about how Cobra Kai is such a great series. Netflix kept popping it up as a suggestion for… Read More »Cobra Kai: 5 Lessons In Turning A Movie Into A Great TV Series

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5 Things I Learned From Screenwriter Stephen Beresford (PRIDE)

Talking To Stephen Beresford Stephen Beresford is an actor and screenwriter, who wrote the award-winning British lgbtq+ movie Pride. I had the pleasure of talking with him about getting the film made, his writing process, and any tips he had. Here’s what I learned. 1) There’s value in truth While the UK film industry is only roughly half of its American counterpart ($6.4bn compared to $11.4bn), there’s always something quite special when a new British film comes out, perhaps because the industry is so incredibly choosy. According to Stephen, the UK film industry is very conservative, but having something based… Read More »5 Things I Learned From Screenwriter Stephen Beresford (PRIDE)

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How HOME ALONE Nails Set Up / Pay Off And How You Can Too

All About Home Alone (1990) The original Home Alone is a stone-cold classic. I was a child when it first came out and as the member of a gigantic, dysfunctional family myself I loved it right from the off. It launched Macaulay Culkin’s career as probably the biggest child star in the world back then. Though his career didn’t have the kind of longevity most of us expected, Kieran Culkin (Fuller McCallister) has proved his acting chops ever since. Combining cartoon-like Tom & Jerry style violence with a Christmas story about a kid fighting off burglars seems an unlikely pairing.… Read More »How HOME ALONE Nails Set Up / Pay Off And How You Can Too

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5 Simple Gender Flips To Freshen Up Your Story

All About Gender Flips Traditionally, ‘gender flips’ refer to when a character’s gender is changed through an adaptation. For example, if a character is male in the book but is made female in the movie or TV version. Over time, ‘gender flipping’ has expanded beyond specific characters and begun to include character tropes as well. A character trope is a recurring idea in fiction. The concept of the hero or villain are traditional character tropes, as well as archetypes. You can read more about tropes HERE. Flipping ‘Eck Gender flips have been in discussion across B2W lately because of remarks made… Read More »5 Simple Gender Flips To Freshen Up Your Story

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A Feminist Ranking of 10 Rom Com Heroines

Feminist Problems I sometimes feel like I’m betraying myself as a feminist with my rom com obsession. I live for the meet-cutes, Cinderella moments, and happily ever afters … All the unfiltered romance tropes that both make the genre so great and get it (unfairly) dismissed as superficial pap. But rom coms can and do offer a space in which feminist ideas can flourish. To prove it, I’m ranking some of my favourite leading ladies (not very feminist, but fun!) from least to most feminist. 10) Kathleen Kelly, You’ve Got Mail I enjoy a Nora Ephron rom-com as much as… Read More »A Feminist Ranking of 10 Rom Com Heroines

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5 Things Writers Can Learn From MAYANS M.C

About Mayans M.C Sons of Anarchy spin-off show Mayans M.C is a great example of how diversity and inclusion can literally make storytelling better, both in front of and behind the camera. I was a huge fan of SOA back in the day. I love a hyper-masculine storyworld and I found the intricacies of this one were (mostly) delicious … BUT on re-watching all 7 series on Netflix I noticed it felt rather dated in comparison to other broadly similar crime series from the same era like Justified. I felt this was largely because of SOA’s fudged commentary on race,… Read More »5 Things Writers Can Learn From MAYANS M.C

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5 Ways To Create A Powerful Premise

What Is A Premise? ‘Premise’ comes from the Latin ‘premissa’, meaning to ‘set before’. It is also known as a central concept, controlling idea or even ‘seed of the story’. Whatever you call it, it is one of the foundations of writing craft for both screenplays and novels. A story is only ever as good as its premise, which is why we must work hard on ours. Figuring out what works and what doesn’t in good premises is really important. Otherwise we could end up with a draft built on a half-baked idea. So if you want to create a… Read More »5 Ways To Create A Powerful Premise

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