One question Bang2writers ask me a lot is, “What do agents actually DO?” so I asked uber-agent Julian Friedmann for the lowdown on this job – enjoy! 1. Editorial work: you all know that we read and select scripts and writers we believe we can work with and sell, but since no script is ever finished, editorial work is a major part of what we do. 2. We also eat and drink a lot in the interests of getting to know what producers really want, which is not the same as what they say that they want. So we sacrifice… Read More »5 Things Agents Do by BFLA’s Julian Friedmann
All About Option Agreements Many thanks to Bang2writers Eileen, Neil, Jordan and Elle who’ve all emailed or left messages asking about how a screenplay option works recently. A screenplay option is usually a pretty straightforward thing which generally do the following … 1) Rights The writer assigns the producer or filmmaker the rights (or ownership) of the screenplay and/or story behind it for a limited time. 2) Exclusive The Producer buys that time for a certain amount of money, for “exclusivity”. The screenwriter is not permitted to work on that screenplay with anyone else during that time. 3) Revert At the… Read More »What Is A Screenplay Option Agreement & How Does It Work?
That’s right: LEGALLY BLONDE Yes, the one with Reese Witherspoon in – and that itty bitty dog. And the legal stuff. Duh. Dispel your prejudices at the door Mofos, because I put it to you: whilst candy sweet and pink on the outside, LEGALLY BLONDE is like ROCK on the inside. So … kinda like seaside rock, whaddyaknow?? But as you DO know, the average spec screenplay comes nowhere near ROCK on the characterisation or storytelling stakes. Instead, more often than not, the most a reader like me can hope for is something well … more FLACCID: OH COME ON!!… Read More »3 Reasons Why LEGALLY BLONDE Is Like, The Best Characterisation Totally, Ever
Published on Feb 25th 2013, BREAKING INTO HOLLYWOOD is a new addition to the Guerilla Filmmaker Pocketbook series. Written by Genevieve Jolliffe, the book details – unsurprisingly – how to “break in” to Tinseltown and is divided into two parts: Part One is “Working In Hollywood” and looks at such important elements as the studios and how they break down; what agents do and the various types (large vs boutique), plus Managers; Lawyers and what they do; fees; pitching; packaging; how Television works; The Writers’ Guild of America and The Directors’ Guild; even The Art of Schmooze and the various… Read More »3 Reasons To Buy Breaking Into Hollywood: A Guerilla Pocketbook by Genevieve Jolliffe
Whether you’re in academic, creative, or business writing, there are more tools than ever before to get inspired, organise your thoughts and get help with publication. Of course, most people don’t have time to wade through the swamp of redundant, buggy, spam-ridden apps, so we’ve done the hard work for you. The following 5 apps are among the highest-rated, most-popular on iTunes and Google Play. 1. Story Tracker Story Tracker is a great organisational tool for writers who are already getting content published. This app makes it easy to track where content has been submitted, what deadlines are looming and… Read More »5 Essential Apps For Writers
I love the internet. Writers can plug in and get access to all the people, information and opportunities they could ever need. They can even create a whole career out of it via blogging and social media – that’s what I did. I didn’t even live in London. As I always say: anything is possible. But even an Internet Die Hard like me can get sick of the web, due to the SAME writing “debates” rolling around and around, two, three or even *more* times a year – and some of them NEVER seem to go away, despite the fact… Read More »Top 7 Writing “Debates” To Avoid
NDA versus Release Form A couple of Bang2writers messaged me yesterday via email and FB chat, asking about the difference between an NDA and a release form. I thought it might be of use to repeat it here for anyone else who might be wondering. What is an NDA? NDA stands for “non disclosure agreement”. This is something PRODUCTION COMPANIES may send out with its scripts to readers like me. This is not because they are afraid *I* will steal their script, though. It is because they are afraid rival companies will get the heads-up on their project. NDAs usually… Read More »What Is The Difference Between an NDA and a Release Form?
We’ve heard about what an adaptation entails, adapting true stories and what publishers think of the process, so now is the right time I think to take a look at two specific adaptations. Watch out for spoilers. First up is Bernard MacLaverty’s Bye-Child (2003). An award winning short film (part funded by long term Bang2writer Scottish Screen), Bye-Child is taken from the poem by Seamus Heaney. This was of particular interest, since adapting from poetry – bar the usual suspects like Homer -had not really occurred to me. But why not? Poems are just as rich in visuals and offer… Read More »Adaptation, Pt 4: Bye-Child And The Butterfly Tattoo
Apologies for the delay on this article, an MTC (that’s a Minor Tidying Calamity) occurred and my notebook with my course notes in somehow ended up in the outhouse with the washing machine and freezer. I blame The Husband…———————————————————————— A recent conversation thread on the Shooting People Screenwriters’ List revealed that it is considered pretty bad form to adapt material without having the rights to it. This is not a problem when certain stories are already in the public domain, but what if it is protected by copyright? We hear a lot about producers acquiring the rights to certain books… Read More »Adaptation, Pt 3: What A Publisher Says