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Top 10 True Life Female Serial Killers Of All Time

All About Female Serial Killers Female serial killers have always been a fascination of mine, as a writer, reader and viewer. True crime is super-popular because many people share this interest (but most of us are rightfully repulsed as well!). My fascination is due to the fact female serial killers don’t tend to be motivated in the same way as their male counterparts. They will frequently have ‘reasons’ for doing what they do. The rest of us may even understand some of them (though of course we won’t condone such tactics!). While male serial killers are typically coined ‘Thrill Killers’… Read More »Top 10 True Life Female Serial Killers Of All Time

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Top 5 Mistakes Writers Make Adapting Their Books For The Screen

All About Adapting Your Book Why not make a movie out of your book … You wrote a great book, so surely it will make a great movie — right? Not so fast! Adapting a book is not as easy as it looks. A movie or TV series needs to pack in a LOT of action. A slow-paced, emotional tale might not adapt to film so easily. Even if you wrote a fast-paced action-adventure, you will have to adapt your thinking as much as adapting your manuscript. Newbie screenwriters can make many mistakes. This list will help you avoid those specific to… Read More »Top 5 Mistakes Writers Make Adapting Their Books For The Screen

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5 Reasons You Should Write Short Film Scripts

Why We Write Scripts Everyone who has written a script has dreamt of seeing their story on the big screen, having the accolades and the kudos of being a produced screenwriter … It’s why we write scripts. But how many screenplays actually get read by people who want to make films, let alone turned into produced films? It is a very small percentage. What can you do about it? Here are 5 ways to not only get your scripts read, but produced too. Ready? Let’s go … 1) Keep it short – REALLY short Try writing a two-page script. I… Read More »5 Reasons You Should Write Short Film Scripts

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Hey Writers: Stop Being Your Own Worst Enemy. Here’s How

Are you your own worst enemy? If you suspect you might be your own worst enemy as a writer, this one is for you. There’s so much self-sabotaging behaviour out there (especially online, but also IRL – in real life – too). I thought I would pull together some DOs/DONT’s on how to avoid being your own worst enemy. Do you spot any you are doing right now, or perhaps in the past? Let’s go … 1) Set concrete goals … I saw a mug once that read, ‘A goal without a plan is just a wish’. Whilst cheesy, it’s true. If… Read More »Hey Writers: Stop Being Your Own Worst Enemy. Here’s How

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5 Top Tips From The Black Phone Writers Can Learn

Watch & Read The Black Phone Now The Black Phone is a movie adaptation of the 2004 short story of the same title by Joe Hill. Directed by Scott Derrickson, the screenplay is written by Derrickson and his long-time collaborator C. Robert Cargill. I’m a HUGE fan of both Hill and this duo’s previous output including Sinister and The Exorcism of Emily Rose, so I was keen to watch the movie regardless. The logline for The Black Phone on imdb reads, “After being abducted by a child killer and locked in a soundproof basement, a 13-year-old boy starts receiving calls… Read More »5 Top Tips From The Black Phone Writers Can Learn

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8 Spot-on Ideas To Make Your Book Cover More Eye-Catching

Your Book Cover Wanting to make every effort to make your book stand out from the undeniably huge crowd is something everyone wants for greater success. Choosing a book cover that is unquestionably eye-catching is one of the best ways to do this. Fortunately, you can use a few strategies to create a cover image that stands out from the crowd. And to help you out in the process of creating the magic, we outlined eight ideas that make your book cover eye-catching. Read the article to find out more as we gathered everything from accents to typography to everything… Read More »8 Spot-on Ideas To Make Your Book Cover More Eye-Catching

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8 Powerful Reminders For Writers From SEE On Apple TV

See on Apple TV So, See on AppleTV concluded last week. Written by Steven Knight (Peaky Blinders, Dirty Pretty Things, Locke), it’s been one of my favourite TV series of recent years. Though unpopular with the critics, the show has been a big hit with audiences. This means I  believe See has plenty to teach us as writers. Here’s eight powerful reminders from the show I picked out … Ready? Let’s go! 1) Old story, new telling Post-apocalyptic worlds set in the future are not new. In the past ten years, they’ve been exceptionally popular. We’ve seen such dystopian storyworlds in… Read More »8 Powerful Reminders For Writers From SEE On Apple TV

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It’s Never ONLY About The Story In Screenwriting – And That’s A GOOD Thing

‘It should ONLY be about the story!’ I often talk to writers about the commercial aspects of screenwriting. As someone who has seen lots of deals happen, I know that money talks. The industry is NOT a patron of the arts. It follows the $$$ because it’s ‘show BUSINESS’ after all. This means … Remakes and reboots are here to stay Great TV shows get cancelled if they don’t get enough views in the first few weeks (yes, really!) Why badly-written movies may still earn stacks Or why indie productions can sink without a trace if they don’t have enough… Read More »It’s Never ONLY About The Story In Screenwriting – And That’s A GOOD Thing

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3 Steps To Writing A Complex Structure In Your Story

Are you writing a complex structure? As veteran Bangers know, I’m a huge fan of  a complex structure in both novels and screenplays … So when creator of Atomic Blonde Antony Johnston got in contact offering a guest post about writing his own complex structure, I bit his hand off! So if you’re struggling with your own complex structure, check out Antony’s tips and insights. Enjoy and over to you, Antony … Books are like magic tricks   Books require sleight of hand, misdirection, and a grand reveal. But the truth behind any trick is often quite dull … The famous… Read More »3 Steps To Writing A Complex Structure In Your Story

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How Do I Know When It’s Time To Let Go Of A Draft?

If You Love Something, Let It Go  When should we let go of a draft? Well, like so many writing-related things, this can be a real ‘piece of string’ question. That said, there are some best practices to consider that will help you know when to let go. Ready? Let’s go …  1) Have THE GUTS To Finish!  To often, writers can’t let go of drafts. They will tinker with them endlessly, making submissions alongside these endless edits. This frequently leads to them trying to make multiple resubmissions. This is a bad idea, because industry pros want to see fresh… Read More »How Do I Know When It’s Time To Let Go Of A Draft?

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10 Common Mistakes People Make Marketing Their Book You Should Avoid

Book Marketing is TOUGH I don’t care what anyone says: the hardest part of the process is book marketing! Knowing where to start is difficult, which is why knowing what NOT to do can really help. So when Jenny got in touch asking about writing a post on this topic, I bit her hand off! Here’s some gold dust tips for you Bangers … over to you, Jenny! All About Book Marketing You don’t need me to tell you that writing a book is hard work. The process of taking it from the initial idea into a fully-fledged novel you… Read More »10 Common Mistakes People Make Marketing Their Book You Should Avoid

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VENOM and SAVING MR BANK’s Kelly Marcel: ‘So much of writing is luck’

All About Kelly Marcel Kelly Marcel is a British screenwriter and producer. She co-wrote one of my favourite dramas Saving Mr Banks (eagle-eyed Bangers will remember it is a case study in my Writing & Selling Drama Screenplays book!). She also received a BAFTA nomination for Outstanding Debut by a British Writer, Director or Producer for it. In addition, Kelly is the screenwriter of Fifty Shades of Grey, Venom, Venom 2: Let There Be Carnage, plus she created and was exec producer on TV series Terra Nova. A fabulously eclectic mix there! But how does a writer who started her working life in a video… Read More »VENOM and SAVING MR BANK’s Kelly Marcel: ‘So much of writing is luck’

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