Skip to content


Your Audience: Who Is Your Script FOR?

Audience Ratings Dawn asks the excellent question: As screenwriters, how do we rate our scripts for sexual content, language, violence, gore? Before I begin, it should be noted this is NOT a post about the potential rights/wrongs of censorship. Rather, this is a post about AUDIENCE – something often disregarded by scripts in the spec pile. Knowing *where* your script *could* go in the schedule or what rating it would receive is highly desirable and is something a producer or agent may ask you. Why? Because without a sense of audience, scripts often lack a sense of identity. Case Study… Read More »Your Audience: Who Is Your Script FOR?

Share this:

I’ve Written A Screenplay. Now What?

Updated So, You’ve Written A Screenplay ‘I’ve written a screenplay, now what?’ is one of the top Google searches that leads writers to this blog. Plus Bang2writers write to me, asking me for ideas on what to do / where to send scripts they’ve written, so I thought it was time I put my thoughts on this in one place, once and for all … Enjoy!  1) Get Some Screenplay Feedback i) Getting it – do peer review You don’t have to pay for this, though you can if you want to.  Alternatively, you can do peer review aka a… Read More »I’ve Written A Screenplay. Now What?

Share this:

Welcome To Rom Com Hell: 8 Awful Ways To Write Romantic Comedy

Rom Com / Real Life Hell Rom Com was always one of those genres I avoided through my teens and early twenties. Being a Goth, I was way too cool for boy-meets-girl, obviously. Besides which, by 18 I was a total cynic … I had after all been the girl who’d met the boy, then got knocked up and ripped off by him! I’d been left with a broken heart, a wailing baby and a man-hating attitude problem for approximately five years.  I was also of the (not unreasonable) belief that post-FOUR WEDDINGS in the late 90’s/early noughties that all… Read More »Welcome To Rom Com Hell: 8 Awful Ways To Write Romantic Comedy

Share this:

All About Dramatic Irony And Twists In The Tale

All About Dramatic Irony Dramatic irony is a tool I see often in produced and published works, but hardly ever in spec scripts or unpublished novels. Recently I was talking with Uber-Agent Julian Friedmann and mentioned how much I love Yves Lavender’s book Writing Drama. Segnor Friedmann replied how much he loves the book’s section on dramatic irony, lamenting the fact that so few screenwriters actually use this fantastic device. His comments really struck a chord, so I think I’ll have a good look at what makes dramatic irony so great. What is Dramatic Irony? First off however, what is dramatic irony? Well, this… Read More »All About Dramatic Irony And Twists In The Tale

Share this:

How To Use Plot Devices – Voiceover, Flashback, Montage, Intercut and Dream Sequence

Plot Devices With A Bad Name … There are lots of plot devices in scriptwriting we hear are “frowned on”. We shouldn’t use voiceover or flashback is the usual (or voiceover WITH flashback!). I’ve also heard montage maligned in a similar fashion, as well as intercut and dream sequence. This is a load of rot as far as I’m concerned. You can use what you like. These accusations we see levied like “flashback is a lazy way of telling a story” is just another generalisation. Flashback can be an amazingly dramatic way to tell a story. … For A REASON!!… Read More »How To Use Plot Devices – Voiceover, Flashback, Montage, Intercut and Dream Sequence

Share this:

A Little Less Description, A Little More Action Please

I’m not fond of those “scriptwriting sayings” that gurus, websites, seminars and books bark at writers, since so many need much more clarification (“Show It Don’t Tell It” anyone?), especially for the new writer. There is one however that I do make an exception for and that’s @wcmartell’s: Scene description is scene action. I love this one. It sums up exactly what it means. It’s the Ronseal method of writing here in that it does exactly what it says on the tin, no further clarification required. Even the complete writing novice can look at that and say: “Ah, yes. In… Read More »A Little Less Description, A Little More Action Please

Share this: