Loads of you Bang2writers are writing Horror, all year round. So when BAFTA-nommed Stephen Volk suggested a post on this subject, I jumped at the chance. Don’t forget to check out his book, too. Enjoy!
1) Get Your Brain Out of the Way
Thinking doesn’t create monsters. Your unconscious does. Don’t think about recent movie hits. Don’t think of old movie legends. In fact, don’t think of anything. Cultivate a dream-time, a coffee-scape. Think of the worst that can happen. Don’t self-censor before you even dream. Go there and return with ideas. And trust them.
2) It’s All About Point of View
As I say in my book Coffinmaker’s Blues it’s not about the creature, ghost or alien … It’s about who is seeing it, and why? That’s the key to their inner life and why the hell we should care. POV in the story … In a sequence … Or in a scene.
3) Junk the Jump Scares
The stab of music, the shock reaction, the zombie make-up in the mirror – fuck that shit! It’s dead easy – and dead boring! It gives no depth to your story and doesn’t even make it more frightening a lot of the time. Think of what is going to give your audience nightmares for the rest of their lives, not just spill their popcorn.
4) If You Can’t Explain It – GOOD!
The worst thing for horror is a producer who’s a Logic Nazi. No legendary horror ever got where it is from being bombarded by logic notes. Stand up for what you know makes you shiver and shit your pants. If the producer disagrees, or points to the latest James Wan hit, you’ve got the wrong producer.
5) Push It Till It Squeals Like A Piggie
David Bowie said the best creative work is done when you’re juuuuuust out of your depth. On tippy-toes in the swimming pool, scared of going under. Always aim for this, especially in horror. It’s on the very edge or risking failure that the magic happens, not by playing safe. MORE: What Is the Difference Between Horror And Thriller?
6) Make it Real
Any idiot can write a ghost train ride about a possessed armchair or a demon in a cellar, lit in blue light and licked to death in the grading. And every idiot is.The more plausible and naturalistic you can make your situation and characters, the more your script will stand out from the crud.
7) Ditch the CAPITALS!!!!
Take the throttle off your writing – calm down and stop SHOUTING at me! No CAPS. No screamers!!! Write horror prose that creep up and taps my shoulder, and even kisses the back of my neck.
8) Seen it, Done it . . . NEXT!
Ditto special effects. You know … The crawling across the ceiling, the scabby-face demon make up first seen in The Evil Dead– yawnsville!!
If you want to be the best of the best in this genre ditch anything you’ve seen before in another movie. Tough, I know. But you’ll be surprised what you come up with if you mine and trawl your own personal terrors. It’s the one thing that’s utterly unique to you – use it!
9) Don’t Play With Your Food
If you’re not a born horror writer, and don’t love the genre with every fibre of your being, don’t worry. But fuck off. How dare you screw around trying to write this shit, because we’ll find you out in a heartbeat!! If your passion is romantic comedy, write romantic comedy. Don’t rain on our parade because … what? You think it’s fashionable? You think it’s lucrative, right now? And easy? There’s the fucking door. Don’t slam it on your way out.
10) Remember: You Are Horror
It’s there in your own life, your own experiences and those of the people you know. If you don’t see it, and can’t find it, you’re not a horror writer. Alfred Hitchcock was once asked what scared him. He said “Everything.” I don’t know a horror writer that wouldn’t answer the same way. Join our clan. We’ll welcome you with open arms. Like clowns in a dark, dark forest . . .
BIO: BAFTA-winning screenwriter STEPHEN VOLK has worked in the horror and affiliated genres for over 30 years. His credits include Ghostwatch, Afterlife and Midwinter of the Spirit as well as feature films including Gothic and The Awakening. His latest book is COFFINMAKER’S BLUES– “A masterclass for writers and screenwriters” and “An educational joy to read.”
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