What Is ‘Emotional Truth’?
Industry pro or audience member, it seems everyone wants emotional truth in writing. But what is this? We hear a lot about the fabled writer’s voice, or the more vague notion of writers having ‘something to say’. But frequently this just is not enough to guide writers. So I sat down and gave it some thought.
In my book, Writing And Selling Drama Screenplays, I defined ’emotional truth’ as:
The part of the story that values the honesty and integrity of emotion, via authenticity, passion and pain.
Let’s break this definition down some more.
Passion, Pain, Authenticity
Passion and pain are obvious choices when thinking about emotional truth. When it comes to passion, literally no writer sets out to tell a boring story, for starters. That would be absurd. We need passion to keep us going whilst writing; we also need that passion to hook a reader or viewer’s interest. If we don’t love our own stories and characters, we are hacks.
I think of pain as a kind of umbrella term. Pain may be literal, or metaphorical, or both. Drama is conflict. So the ‘pain’ in the story mean trouble, injustice, frustration, struggle. Every character and story comes from this place, even (especially?) comedy.
In contrast, ‘authenticity’ is the buzzword of the moment. It’s for this reason ‘Own Voices’ narratives are so popular, because they are about first-hand experiences. It stands to reason that a writer with more personal knowledge would have more credibility writing about the struggles they have faced.
Though this might seem common-sense, this has not always been the case … What’s more, for all the whinging online about diversity by aggrieved writers like Lionel Shriver, it is still not the standard now. Men still write women’s stories as standard. White people tell the stories of people of colour. Straight people of the LGBT community’s. Non-disabled people tell disabled people’s stories … And so on.
This is why the notion of ‘cultural appropriation’ is part of the conversation. Effectively, we are talking about highjacking others’ experiences and passing them off as our own. But by the same token, insisting diverse writers ONLY write ‘Own Voices’ narratives would also be an issue. We would be forcing them into a box, saying their experience is the only thing of value they offer. This, too, is absurd.
We can’t swing the pendulum from one end of the scale to the other. Like anything, there must be some balance. This is why Vinay Patel’s recent thoughts on what he calls ‘due diligence’ really rang home for me when I interviewed him recently for B2W. Whilst he said his heritage definitely helped the emotional truth of his storytelling in his episode of Doctor Who, he also said:
‘It would be naïve of me to assume I know what it’s like to be a rural farmer in India in 1947, because I don’t.’
So in other words, ‘Own Voices’ is a good step forward, but can’t be everything. As Vinay says, anyone can write whatever they want, provided they do their due diligence and achieve authenticity.
But HOW do we achieve authenticity? Lots of writers want to write diverse characters and stories, but worry a lot about recycling various stereotypes and stigma unthinkingly. It’s hard to know what we don’t know, after all. What if we accidentally end up perpetuating cheesy nonsense, BS messages and even harmful tropes?
But the key word there is ‘unthinkingly’. The fact is, the more we research, the more we realise what has been done too much. We start to notice the stigmas and stereotypes that adversely affect certain communities’ lives. We open our minds and stop centering ourselves 24/7. This means we start to see their lives through their eyes, instead of as outsiders.
Authenticity Vs. Accuracy
Of course, when we empathise, we may end up nitpicking our own stories and characters too much. We may worry that various story worlds, jobs, experiences etc are not ‘realistic enough’ or just plain ‘inaccurate’. The endless waves of people online whinging about so-called plotholes may make us even more anxious.
But notions of authenticity and emotional truth are not about so-called accuracy. Narrative logic is about everything making sense within that story world and the characters within it. When it comes to storytelling, you sometimes need to sacrifice facts for drama. As writers, we must make our peace with this, plus the fact there will always be people who say our stories are ‘inaccurate’.
It comes down to this: NO story can please everyone. But as long as you have done your research properly, truly listening and empathising with people from that community, you are fine.
To achieve emotional truth in your writing, you need to do the following:
- Make sure you ‘break story’. Think about WHY you want to write this story. Why are you so passionate about it? What is the pain (aka struggle, problem, trouble, frustration, injustice etc) you want to write about?
- Reject cheesy overdone stuff, as well as stereotype, stigma, prejudice about your subject matter. (This may mean having to discover what these are first, in order to avoid them).
- Do your due diligence. Empathise with the community behind your subject matter. Don’t just take one idea or one story and run with it; collect them. Do this sensitively, don’t randomly bombard people online and in real life with questions. Educate yourself.
- Create your own story. Don’t hijack.
Want MORE Script Reading Secrets?
My annual course with LondonSWF, BREAKING INTO SCRIPT READING is perfect not only for wannabe script readers, but savvy writers who want to know how script readers work. Can you afford to miss out?? Join us on June 23-22nd, 2019 at historic Ealing Studios!
For B2W offers and free stuff first, join my EMAIL LIST